Eastman EXR 500T 5298 / 7298 (T)

Subtractive 3 color: Chromogenic monopack

Eastman EXR 500T Color Negative Film 5296

Subtractive 3 color: Chromogenic monopack

Eastman EXR 500T Color Negative Film 7296

Subtractive 3 color: Chromogenic monopack, 16mm

Eastman EXR Color Intermediate Film 5244 / 7244

Subtractive 3 color: Chromogenic monopack

Eastman EXR Color Print Film 2386 / 3386

Subtractive 3 color: Chromogenic monopack

Eastman EXR Color Print Film 5386 / 7386

Subtractive 3 color: Chromogenic monopack

Eastman EXR Primetime 640T Teleproduction Film 5600 (P)

Subtractive 3 color: Chromogenic monopack, Tungsten, 650 ASA

Eastman Fine Grain Release Positive Film 5302 / 7302

Subtractive 3 color: Chromogenic monopack

Eastman Lenticular Print Film Type 5306

Additive 3 color: Lenticular screen

Eastman Multilayer Stripping Film / Kodak Stripping Film

Subtractive 3 color: Stripping film

Eastman Panchromatic Separation Film 5216

Black and white panchromatic film: Three-color separation positives from color negatives

Eastman Panchromatic Separation Film 5235

Black and white panchromatic film: Three-color separation positives from color negatives

Eastman Reversal Color Print Film Type 5269 / 7387

Subtractive 3 color: Chromogenic monopack, reversal
Eastman Kodak reversal film duplication stock for (semi)professional use. Replaced Type 5265. Type 7387 introduced in 1964 as improved version. Difficult to see the difference (BL).

Eastman Reversal Print Film 7387

Subtractive 3 color: Chromogenic monopack, reversal, 16 mm

Eastman RP Negative Film 7229

Subtractive 3 color: Chromogenic monopack

Eastman Special Order Print Film SO-886

Subtractive 3 color: Chromogenic monopack

Eastman Television Recording Film 5374 / 7374

Subtractive 3 color: Chromogenic monopack

91 Images in 6 Galleries

Ektachrome Commercial Type 7255

Subtractive 3 color: Chromogenic monopack, 16mm reversal

1 Image

Ektachrome EF

Subtractive 3 color: Chromogenic monopack, 16mm reversal, high speed

Ektachrome ER

Subtractive 3 color: Chromogenic monopack, 16mm and 35mm reversal

Ektachrome MS

Subtractive 3 color: Chromogenic monopack, 16mm and 35mm reversal

Ektachrome R Print

Subtractive 3 color: Chromogenic monopack, 16mm reversal

Ektachrome Video News

Subtractive 3 color: Chromogenic monopack, 16mm reversal, high-speed

Experimental Eastman Separation Film (5238)

Subtractive 3 color: Chromogenic monopack

Ferrania color / Ferraniacolor / 3M color

Subtractive 3 color: Chromogenic monopack

217 Images in 8 Galleries

Ferrania Type HS Color Release Positive

Subtractive 3 color: Chromogenic monopack

Ferraniacolor Cine Universal

Subtractive 3 color: Chromogenic monopack

Ferraniacolor, type 54

Subtractive 3 color: Chromogenic monopack

Finlay

Additive 3 color: Regular mosaic screen, still photography

9 Images in 1 Gallery

Fomacolor

Subtractive 3 color: Chromogenic monopack
A chromogenic process based on Agfacolor, see detail page Agfacolor Neu / Agfacolor.

18 Images

Fotoncolor OR Fotonkolor

Subtractive 3 color: Chromogenic monopack

1 Image

Francita-Reality / Francita / Opticolor / Realita

Additive 3 color: Beam-splitter and rotary fllter, substandard

9 Images in 1 Gallery

Friese-Greene

Additive 2 or 3 color: Alternately stained

“In 1898 William Friese-Greene, a professional portrait photographer by trade, demonstrated in London ‘the first process of true natural-color cinematography.’ His program consisted of  ‘a series of animated natural-color pictures,’ and although this demonstration aroused considerable interest at the time, Friese-Greene was unable to exploit this system on a profitable basis. Undaunted, he eventually developed a total of four different color methods.”

112 Images in 2 Galleries

Fuji Eterna 250D 8563 / 8663

Subtractive 3 color: Chromogenic monopack, daylight, 250 ASA

Fuji Eterna 250T 8553 / 8653

Subtractive 3 color: Chromogenic monopack, Tungsten, 250 ASA

Fuji Eterna 400T 8583 / 8683

Subtractive 3 color: Chromogenic monopack, Tungsten, 400 ASA

Fuji Eterna 500T 8573 / 8673

Subtractive 3 color: Chromogenic monopack, Tungsten, 500 ASA

Fuji Eterna Vivid 160T 8543 / 8643

Subtractive 3 color: Chromogenic monopack, Tungsten, 160 ASA

Fuji Eterna Vivid 250D 8546 / 8646

Subtractive 3 color: Chromogenic monopack, daylight, 250 ASA

Fuji Eterna Vivid 500T 8547 / 8647

Subtractive 3 color: Chromogenic monopack, Tungsten, 500 ASA

Fuji F-Series 8510 / 8610 F64T

Subtractive 3 color: Chromogenic monopack, Tungsten, 64 ASA

Fuji F-Series 8520 / 8620 F64D

Subtractive 3 color: Chromogenic monopack, daylight, 64 ASA

Fuji F-Series 8530 / 8630 125T

Subtractive 3 color: Chromogenic monopack, Tungsten, 125 ASA

Fuji F-Series 8550 / 8650 F250T

Subtractive 3 color: Chromogenic monopack, Tungsten, 250 ASA

Fuji F-Series 8560 / 8660 F-250D

Subtractive 3 color: Chromogenic monopack, daylight, 250 ASA

Fuji F-Series 8570 / 8670 F-500T

Subtractive 3 color: Chromogenic monopack, Tungsten, 500 ASA

Fuji Reala 500D 8592 / 8692

Fujicolor

Subtractive 3 color: Chromogenic monopack reversal (from 1949), negative/positive process (from 1955)
“The Fujicolor process is a three-color subtractive negative/positive process introduced in 1955 by the Fuji Photo Film Co., Ltd., Tokyo, Japan. When the process was introduced it consisted of two elements that could be used singly or together. ...

141 Images in 7 Galleries

Fujicolor Negative A 250, type 8518

Subtractive 3 color: Chromogenic monopack

Fujicolor Negative A, type 8511

Subtractive 3 color: Chromogenic monopack

Fujicolor Negative A, type 8517

Subtractive 3 color: Chromogenic monopack

Fujicolor Negative AX, type 8514

Subtractive 3 color: Chromogenic monopack, 35 mm, 16 mm, Tungsten, 500 ASA

Fujicolor Negative High Speed AX, type 8512

Subtractive 3 color: Chromogenic monopack

Fujicolor Negative, type 8511

Subtractive 3 color: Chromogenic monopack

Fujicolor Negative, type 8512

Subtractive 3 color: Chromogenic monopack

Fujicolor Negative, type 8513

Subtractive 3 color: Chromogenic monopack

Fujicolor Negative, type 8514

Subtractive 3 color: Chromogenic monopack

Fujicolor Negative, type 8515

Subtractive 3 color: Chromogenic monopack

Fujicolor Negative, type 8516

Subtractive 3 color: Chromogenic monopack

Fujicolor Positive Film Eterna-CP 3512 / 3612

Subtractive 3 color: Chromogenic monopack

Fujicolor Positive Film Eterna-CP 3513DI / 3613DI

Subtractive 3 color: Chromogenic monopack

Fujicolor Positive Film Eterna-CP 3514DI / 3614DI

Subtractive 3 color: Chromogenic monopack

Fujicolor Positive Film Eterna-CP 3521XD

Subtractive 3 color: Chromogenic monopack

Fujicolor Positive Film Eterna-CP 3523XD

Subtractive 3 color: Chromogenic monopack

Fujicolor Positive Film F-CP 3519

Subtractive 3 color: Chromogenic monopack

Fujicolor Positive Film F-CP 3519D

Subtractive 3 color: Chromogenic monopack

Fujicolor Positive Film Super F-CP 3510 / 3610

Subtractive 3 color: Chromogenic monopack

Fujicolor Positive Film Super F-CP 3510 / 3610

Subtractive 3 color: Chromogenic monopack

Fujicolor Positive, type 8818

Subtractive 3 color: Chromogenic monopack
See also Fujicolor.

Fujicolor Positive, type 8819

Subtractive 3 color: Chromogenic monopack
See also Fujicolor.

Fullcolor

Subtractive 2 colors: Bi-pack, duplitized film

Gaspar Color subtractive 2 color

Subtractive 2 color: Silver dye-bleach

Gasparcolor OR Gaspar Color

Subtractive 3 color: Silver dye-bleach multilayer print film

Gasparcolor was the first three-color multi-layer monopack film available for practical use. It was a double-coated print film with a cyan layer on one side and two layers dyed magenta and yellow on the other side (see illustrations).

398 Images in 24 Galleries

Gaumont Chronochrome

Additive 3 color: Sawn-off lenses and filters, simultaneous taking and projection
“The competition between Kinemacolor and other rival systems was partially stimulated by a Utopian faith in the potential of film technology to achieve ‘natural colour’, reality ‘as it is’ being the goal of the cinematic ...

12 Images in 2 Galleries

Gevachrome

Subtractive 3 color: Chromogenic monopack, reversal 16mm

10 Images in 1 Gallery

Gevacolor Negative

Subtractive 3 color: Chromogenic monopack

4 Images in 1 Gallery

Gevacolor Positive Film T 9 53

Subtractive 3 color: Chromogenic monopack

Gevacolor Positive Film T 9 54

Subtractive 3 color: Chromogenic monopack

Gevacolor Print Film T 9 85

Subtractive 3 color: Chromogenic monopack

Gevacolor Print Film T 9 86

Subtractive 3 color: Chromogenic monopack

Gevacolor T 6 51

Subtractive 3 color: Chromogenic monopack

Gevacolor T 6 52

Subtractive 3 color: Chromogenic monopack

Gevacolor T 6 53

Subtractive 3 color: Chromogenic monopack

Gevacolor T 6 54

Subtractive 3 color: Chromogenic monopack

Gevacolor T 6 55

Subtractive 3 color: Chromogenic monopack

Gevacolor T 6 80

Subtractive 3 color: Chromogenic monopack

Gevacolor T 6 82

Subtractive 3 color: Chromogenic monopack

Gevaert Positif Color

Applied colors: Pretinted film

Gilmore Color

Additive 2 color: Rotary filter
“Gilmore’s two-color additive process was based on a patent granted to F. E. Ives in 1918. A unique optical system exposed two images in pairs, and quarter-turned them lengthwise side by side on standard 35 mm film stock. One of the images was ...

1 Image

Gorsky Process

Gualtierotti or Cicona e Gualtierotti

Additive two-color: optical system, filters, 64mm negative.
Unlike other additive systems invented in previous years, Gualtierotti tried to avoid the phenomenon of chromatic aberration inherent in the use of multiple lenses or the creation of successive separation records. The proposed solution was based on ...

1 Image

Hand coloring

Applied colors: Manual application

Coloring of individual frames by the use of very fine brushes. The process was previously applied to lantern slides. Any water based translucent dye was suited for the process, most often the coloring was done with acid dyes.

250 Images in 18 Galleries

Handschiegl / DeMille-Wyckoff / Wyckoff Process

Applied color: Imbibition
Similar to stenciling, the Handschiegl process was applied mechanically to manually defined image parts. Therefore it is an applied color process. After the film was shot and edited, for each color applied a separate print was made. In contrast to ...

141 Images in 8 Galleries

Harmonicolor

Subtractive 2 color: Bi-pack, double-coated
“Harmonicoior was developed by French chemist Maurice Combes. It was first formally demonstrated in London by Harmonicoior Films Ltd, of 4 Great Winchester Street, on the 23 March 1936 at the Curzon Soho with the film Talking Hands, produced at ...

Harriscolor

Subtractive 2 color: Beam-splitter, single-coated
“Harriscolor In this method as in other methods of color photography, independent color value negatives are first obtained. The Harriscolor process can employ one of the following two methods: Either a camera wherein the dividing light prisms ...

3 Images

Hérault Trichrome

Additive 3 color: Alternately stained in red, green and blue
“The Hérault Trichrome process was demonstrated in Paris on 1 October 1926, with three films made by A. Rodde — a fashion show, a documentary on Brittany and a tableau of the Legend of the King of Ys. Hérault Trichrome was an extension of ...

12 Images in 1 Gallery

Hillman Process

Additive 3 color: Rotary filter, mirror system with two lenses

3 Images

Hirlicolor

Subtractive 2 color: Bi-pack

2 Images

Horst

Additive 3 color: Beam-splitter, 65 mm negative

4 Images in 1 Gallery