Eastman Color Print Film 7282

Subtractive 3 color: Chromogenic monopack, 16 mm

Eastman Color Print Film 5744

Subtractive 3 color: Chromogenic monopack

Eastman Color Print Film 5385 / 7385

Subtractive 3 color: Chromogenic monopack

Eastman Color Print Film 5384 / 7384

Subtractive 3 color: Chromogenic monopack

Eastman Color Print Film 5382 / 7382

Subtractive 3 color: Chromogenic monopack

Eastman Color Print Film 5381 / 7381 (1970)

Subtractive 3 color: Chromogenic monopack
Not to be confused with the Eastman Color Print Film 5381 from 1950.

Eastman Color Print Film 5381 (1950)

Subtractive 3 color: Chromogenic monopack
Not to be confused with the Eastman Color Print Film 5381 / 7381 from 1970.

Eastman Color Print Film 5281 / 7281

Subtractive 3 color: Chromogenic monopack

Eastman Color Negative, type 5254 / 7254

Subtractive 3 color: Chromogenic monopack, Tungsten, 100 ASA

Eastman Color Negative, type 5251

Subtractive 3 color: Chromogenic monopack, Tungsten, 50 ASA

Eastman Color Negative, type 5250

Subtractive 3 color: Chromogenic monopack, Tungsten, 50 ASA

1 Image

Eastman Color Negative, type 5248

Subtractive 3 color: Chromogenic monopack, Tungsten, 25 ASA

1 Image

Eastman Color Negative, type 5247

Subtractive 3 color: Chromogenic monopack, daylight, 16 ASA

Eastman Color Negative, type 3251

Subtractive 3 color: Chromogenic monopack

Eastman Color Negative, ASA 125, type 5247

Subtractive 3 color: Chromogenic monopack, Tungsten, 125 ASA, DIR coupler

Eastman Color Negative Film 7291

Subtractive 3 color: Chromogenic monopack, Tungsten, 100 ASA

Eastman Color LFSP Film 7379

Subtractive 3 color: Chromogenic monopack, 16mm

Eastman Color LF Print Film 7378

Subtractive 3 color: Chromogenic monopack, 16mm

Eastman Color LC Print Film 5385 / 7385

Subtractive 3 color: Chromogenic monopack

Eastman Color LC Print Film 5380 / 7380

Subtractive 3 color: Chromogenic monopack

Eastman Color Internegative Film 5271 / 7271

Subtractive 3 color: Chromogenic monopack

Eastman Color Internegative Film 5270 / 7270

Subtractive 3 color: Chromogenic monopack

Eastman Color Internegative Film 5245

Subtractive 3 color: Chromogenic monopack

Eastman Color Internegative Film 5243

Subtractive 3 color: Chromogenic monopack

Eastman Color Intermediate Film 5253 / 7253

Subtractive 3 color: Chromogenic monopack

Eastman Color Intermediate Film 2244

Subtractive 3 color: Chromogenic monopack

Eastman Color Intermedeate Film 5253

Subtractive 3 color: Chromogenic monopack

Eastman Color II Negative, type 5247 / 7247 F

Subtractive 3 color: Chromogenic monopack

Eastman Color II Negative, type 5247 / 7247

Subtractive 3 color: Chromogenic monopack, Tungsten, 100 ASA, DIR coupler

Eastman Color II Internegative Film 5272 / 7272 S

Subtractive 3 color: Chromogenic monopack

Eastman Color High Speed Negative, type 5295 / 7295

Subtractive 3 color: Chromogenic monopack, daylight, 250 ASA

Eastman Color High Speed Negative, type 5294

Subtractive 3 color: Chromogenic monopack, Tungsten, 400 ASA, DIR coupler

Eastman Color High Speed Negative, type 5293

Subtractive 3 color: Chromogenic monopack, Tungsten, 250 ASA, DIR coupler

Eastman Color High Speed Negative Film 7292

Subtractive 3 color: Chromogenic monopack

Eastman Color

Subtractive 3 color: Chromogenic monopack
“The Eastman Colour Films are multilayer films of the type in which the layers are not separated after exposure. Films of this class are known as Multilayer, Monopack or Integral Tripack. “Multilayer” is descriptive not only of this ...

707 Images in 23 Galleries

Dynachrome

Subtractive 3 color: Chromogenic monopack, small gauge, double 8

Dymat Process

Subtractive 3 color: Dye transfer, Super-8

1 Image

Dye coupling

Subtractive 3 color: Chromogenic monopack
“One of the most elegant solutions to the problem of forming a colored image, lies in the utilization of the products formed by the action of the developer upon the latent image. By this means there is formed a dye image whose intensity follows ...

1 Image

DuPont Vitacolor

Additive 2 color: Rotary filter, 16mm

DuPont Stripping Negative

Subtractive 3 color: Stripping film

2 Images

DuPont Color Film Type 275

Subtractive 3 color: Color release positive stock, multilayer monopack

4 Images

Dunning Color

Subtractive 3 color: Beam-splitter, double-coated

Dugromacolor

Additive 3 color: Beam-splitter, substandard

1 Image

Dufaycolor reversal

Additive 3 color: Line screen (réseau), 16 mm, reversal
(see detail page on Dufaycolor)

Dufaycolor

Additive 3 color: Line screen (réseau), 35 mm and 16 mm, reversal and negative-positive stock

Dufaycolor was a regular line screen process whereby the incident light was filtered through a pattern of tiny color patches created by lines in red, green and blue, the so called réseau.

202 Images in 9 Galleries

Dufay / Dioptichrome Plate (sometimes incorrectly referenced as Dioptochrome)

Additive 2-4 color: Line screen plate (réseau), still photography and early experiments with film
(see detail page on Dufaycolor)

10 Images

Douglass Color No. 2

Subtractive 2 color: Separations, multi-layer prints
“Douglass Color No. 2 (1919). The two negatives of the Douglass Color system No. 1 were printed on a positive. In this updated version of the process, rather than projecting the frames through red and green filters, both latent images were ...

Douglass Color No. 1

Additive 2 color: Rotary filter
“This two-color additive system for color cinematography was invented in 1916 by Leon Forrest Douglass of San Rafael, California. A special beam splitter camera would advance each roll of film two frames per exposure with its double frame pull down ...

3 Images

Donisthorpe

Additive two color process: rotating filters and toning
The film is recorded through alternating red and green filters, creating two color separations. After development, the print is placed in two alternating dye-baths, toning the blacks green and the whites red. Additionally, a black-and-white copy is ...

Dascolour

Subtractive 2 color: Bi-pack, double-coated print

1 Image

Crosene Process

Additive 4 color: Bi-pack, substandard

Cox Multicolor

Additive 2 color: Rotary filter

Cosmocolor

Additive 2 color: Beam-splitter, double-coated

2 Images

Columbiacolor

Subtractive 3 color: Chromogenic monopack, Eastman Color

Colorvision

Additive 3 color: Beam-splitter

Colorgraph / Cinecolorgraph

Subtractive 2 color: Beam-splitter, double-coated film
“The principle of the subtractive colour process was described first by Louis Ducos du Hauron in 1868. Although eminently suitable for colour motion pictures, the principle could not be applied until means were found of producing several colour ...

1 Image

Colorcraft

Additive 2 color: Bi-pack, double-coated

21 Images in 1 Gallery

Coloratura

Subtractive 2 color: Bi-pack, dupitized positive, toned
“Coloratura. This is the process of Pathé Exchange at Bound Brook, N. J. Negatives are made by the bi-pack method. Prints are made on double-sided film and are dye-toned on one side and metallic-toned on the other. The double-sided film, ...

Color theory

Additive 3 color: Additive 3 color, still photography
“In a lecture on the theory of three primary colors, given at the Royal Institution of Great Britain on May 17, 1861, Maxwell presented the first demonstration of a photograph in color. According to the records of that meeting (Maxwell, 1890c, ...

1 Image

Color Cinema Corporation

Subtractive 2 color: Bi-pack, double-coated

2 Images

Colcin

Additive 2 color: Simultaneous 1 strip
“The first two-colour additive method in which the two components were taken and projected simultaneously was the Colcin process, in 1913. The result of a Franco-Japanese collaboration, it was demonstrated at the International Kinematographic ...

1 Image

Cinemacolor

Additive 2 color: Beam-splitter, sub-standard vertical

2 Images

Cinekrome

Additive 2 color: Beam-splitter

Cinefotocolor

Subtractive 2 color: Bi-pack

Cinecolor additive 2 color / Cinecolour

Additive 2 color: Beam-splitter, substandard

2 Images

Cinecolor (subtractive 2 color)

Subtractive 2 color: Bi-pack, duplitized film

83 Images in 9 Galleries

Cinechrome

Additive 2 color: Prism, rotary filter, double-sized film
“[…] pictures were taken side by side, full-size, on double-width film, the film not only being perforated on the edges but also down the centre between the pairs of images.” (Klein, Adrian Bernhard = Cornwell-Clyne (1940): Colour ...

3 Images

Chromolithography

Applied colors: printing
Widely used in print media around 1900, the chromolithographic printing process was first adapted for the Laterna Magica and then utilized to produce early animated films primarily aimed at children. These films were usually very short ...

105 Images in 3 Galleries

Chromogenic film stock

Subtractive 3 color: Chromogenic monopack

Chromogenic development

Subtractive 3 color: Chromogenic development

Chromo-Film

Additive 3 color: Double-sized film, rotary filter

Chromart Tricolor

Subtractive 3 color: Chromogenic monopack

Chromart Simplex

Subtractive 2 color: Chromogenic monopack

Chimicolor

Subtractive 3 color: Beam-splitter, double-coated film, mordant toning

2 Images

Chemicolor / Ufacolor in GB

Subtractive 2 color: Bi-pack, mordant toning
“Chemicoior was the name under which the German Ufacolor Process was marketed in Britain. Ufacolor was also marketed under the name Spectracolor. The process used Agfa bipack negatives loaded with the emulsion sides facing and separated by a ...

9 Images in 2 Galleries

Caille

Additive three-color: line screen, still photography
Process for still photography in which light is filtered through a screen or transparent plate covered in lines or dots in the primary colors orange, green and violet. For the positive, the process relies on a support material which includes an ...

Busch Farbenfilm

Additive 2 color: Beam-splitter, red-green

5 Images in 1 Gallery

British Tricolour / Dufaychrome

Subtractive 3 color: Beam-splitter, three-strip, multiple printing

19 Images in 3 Galleries

Brewster

Subtractive 2 color: Perforated mirror as beam-splitter, duplitized film
“Following the premises of one of William Friese-Greene’s systems, this two-colour subtractive process required that two reels of film be printed in parallel through a lens fitted with a prism that split light in two directions, through red ...

Brewster

Subtractive 2 or 3 color: Perforated mirror as beam-splitter, duplitized film
“The Brewster Process. (U.S.P. 1,752,477. 1930-) Camera. – P. D. Brewster, an American inventor, who was one of the first to apply the bipack system to colour cinematography, has a number of patents to his credit covering various cameras and ...

52 Images in 1 Gallery

Bocca-Rudatis

Additive 3 color: lenticular screen
The procedure for obtaining the lenticular elements in relief required a series of steps: starting from three black and white positive color separations, obtained with any of the available methods, three matrices were printed, from which the film to ...

1 Image

Biocolour

Additive 2 color: Alternately stained images
“Inevitably, the success of Kinemacolor led to the appearance of imitations. One company, Friese Greene Patents Ltd had been formed in 1908 to exploit several patents, mostly impractical, filed by Friese Greene. From this came a new company, ...

31 Images in 2 Galleries

Biochrom

Additive 3 color: Double-sized film, rotary filter

Bi-pack

Subtractive 2 color: Bi-pack, still photography
A. Gurtner (Eng. P. 7924/03; U.S.P. 730454), used a front element that was sensitive only to the blue, and a rear element that was sensitive up to but not including the red. He was the first person to suggest that the two films or plates be placed ...

1 Image

Berthon-Siemens / Siemens-Berthon / Siemens-Perutz-Verfahren / Opticolor

Additive 3 color: Lenticular screen

5 Images

Berthon

Additive 3 color: Lenticular screen
“R. Berthon patented the use of a lens diaphragm with three apertures, covered respectively with red, green and blue-violet filters, and a sensitive surface on a support, the other side of which was impressed with hemi-spherical, transparent, ...

4 Images

Bassani

Additive 3 color: Successive exposure, 72 fps
“Camera.—An interesting camera has been made by the Société Chromofilm, Paris. An astonishing mechanism moves the entire gate, and film within it, at each exposure, with reference to the normal fixed objective. Three miniature negatives are ...

3 Images in 1 Gallery

Autochrome film / Cinécolor

Additive 3 color: Mosaic screen
Several attempts were made to apply the Autochrome process invented by the Lumière brothers to motion pictures. Transparent potato starch grains with a diameter of 15-20 were colored in the additive primaries red, green and blue. The spaces between ...

20 Images in 2 Galleries

Autochrome

Additive 3 color: Mosaic screen, still photography
“The Autochrome process was the first fully practical single-plate colour process to reach the photographic public. It was easy to use. The plate was loaded into a conventional holder, glass to the front. The exposure was made through a yellow ...

16 Images

Auto Natural Color / Bernardi

Additive 3 color: Beam-splitter, substandard

Audibert

Additive 3 color: Prism
“R. Berthon and M. Audibert patented a method of obtaining a virtual image by means of an anterior lens and prisms or mirrors. This idea was further improved upon in E.P. 17,023, 1913. In F.P. 458,040 Audibert proposed to use a negative front lens ...

2 Images

Audibert

Addtive 3 color: Beam-splitter, mosaic screen, 65 mm

3 Images

Anscochrome, type 5550

Subtractive 3 color: Chromogenic monopack, reversal, daylight, 500 ASA

Anscochrome, type 5311

Subtractive 3 color: Chromogenic monopack, reversal, daylight, 64 ASA

Anscochrome, type 5240

Subtractive 3 color: Chromogenic monopack, reversal, Tungsten, 100 ASA

1 Image

Anscochrome, type 5230

Subtractive 3 color: Chromogenic monopack, reversal, daylight, 200 ASA

Anscochrome, type 5210

Subtractive 3 color: Chromogenic monopack, reversal, daylight, 100 ASA