Hirlicolor

Subtractive 2 color: Bi-pack

2 Images

Russian three-color process

Subtractive three color

6 Images

Berthon-Siemens / Siemens-Berthon / Siemens-Perutz-Verfahren / Opticolor

Additive 3 color: Lenticular screen

5 Images

Telco Color, additive 2 color

Additive 2 color: Split optics, side by side

Dunning Color

Subtractive 3 color: Beam-splitter, double-coated

Kodachrome Color Reversal Film Type 5262

Subtractive 3 color: Chromogenic monopack, reversal, 16 mm
Although Kodachrome 16mm reversal film was introduced as an amateur film format, rapidly after its introduction it became a format frequently used by (semi-)professional film makers. The reason was that Kodachrome was a relatively easy to use film ...

Pantachrom

Subtractive 3 color: Bi-pack and lenticular film recording, duplitized film with toning and silver dye-bleach
“In October, Eggert of the Agfa Research Department, read a paper at the Berlin meeting of the Deutsche Gesellschaft für photographische Forschung, on the Pantochrom subtractive lenticular bipack tricolor process. (Fig. 1) The green and blue ...

19 Images in 3 Galleries

Telco color subtractive 2 color

Subtractive 2 color: Split optics, side by side, duplitized film

1 Image

Dufaycolor reversal

Additive 3 color: Line screen (réseau), 16 mm, reversal
(see detail page on Dufaycolor)

Iriscolor

Subtractive 3 color: Beam-splitter camera, imbibition printing
Similar to Technicolor, the Iriscolor process needed a special beam-splitter camera for exposing three black-and-white negatives on Kodak film stock. These negatives were used for imbibition printing. Between 1940 and 1942, Tobis Tonbild-Syndikat AG ...

Kodachrome Color Reversal Film 5265

Subtractive 3 color: Chromogenic monopack, reversal, 16 mm
Duplicating stock for reversal film. Replaced Kodachrome duplicating stock type 5262. Contrary to its predecessor the new stock was not suited as camera material. Type 5265 could only be used for duplication.

Technicolor Monopack / Kodachrome Professional Type 5267 / Eastman Monopack 7267

Subtractive 3 color: Chromogenic monopack
During the 1940s Kodachrome was used as camera material for films that were blown up to 35mm Technicolor projection prints. Technicolor used this technology from 1942 until the mid-1950s when Eastman Kodak introduced the Eastmancolor ...

Agfacolor Negative type B

Subtractive 3 color: Chromogenic monopack, daylight
For more information on the Agfacolor process see the detail page Agfacolor Neu / Agfacolor.

21 Images

Agfacolor Negative type G

Subtractive 3 color: Chromogenic monopack, Tungsten

Agfacolor Negative type G was a chromogenic camera negative balanced for Tungsten illumination.

14 Images in 2 Galleries

Gaspar Color subtractive 2 color

Subtractive 2 color: Silver dye-bleach

Agfacolor Negative type B2

Subtractive 3 color: Chromogenic monopack, daylight
For more information on the Agfacolor chromogenic process see Agfacolor Neu / Agfacolor.

37 Images in 2 Galleries

Agfacolor Negative type G2

Subtractive 3 color: Chromogenic monopack, Tungsten

Kodachrome Professional Film Type 5267

Subtractive 3 color: Chromogenic monopack, reversal, 16 mm 35mm?
Kodachrome Professional was introduced in 1942 to be used as camera material. It was the Kodachrome material that was blown up to 35mm Technicolor dye transfer prints, which was the Technicolor Monopack system. According to Norris Pope this material ...

Fullcolor

Subtractive 2 colors: Bi-pack, duplitized film

2 Images

Sovcolor negative type G

Subtractive 3 color: Chromogenic monopack, Tungsten

Sovcolor negative film type B

Subtractive 3 color: Chromogenic monopack, daylight

15 Images in 3 Galleries

Ansco Colorpak / Ansco Color, type 735

Subtractive 3 color: Chromogenic monopack, reversal 35 mm, 12 ASA

Kodachrome Commercial Type 5268

Subtractive 3 color: Chromogenic monopack, reversal, 16 mm
In 1946 Kodachrome Commercial camera film Type 5268 was introduced. This stock had a lower-contrast emulsion and became leading in the professional field until it was replaced by Ektachrome Commercial type 7255 in 1958. Both Commercial Kodachrome and ...

Konicolor

Subtractive 3 color

“The Konicolor system, introduced by Konishiroku Shashin Kogyo (Now Konica Minolta Holdings, Inc.), split the image into three colors and shot them separately onto three b&w films. In that sense it had something in common with the US ‘Technicolor system’, but this was not a contact print with color dye to create positive film, but used coated emulsion to develop each color in a triple process, which is peculiar. […].”

Ansco Color Duplicating Film, type 132

Subtractive 3 color: Chromogenic monopack
See Ansco Color, type 735.

Ansco Color Release Film, type 732

Subtractive 3 color: Chromogenic monopack
See Ansco Color, type 735.

Sakuracolor

Subtractive 3 color: Chromogenic monopack, reversal

British Tricolour / Dufaychrome

Subtractive 3 color: Beam-splitter, three-strip, multiple printing

19 Images in 3 Galleries

Svema LN-1

Subtractive 3 color: Chromogenic monopack

Svema DS-1

Subtractive 3 color: Chromogenic monopack

Americolor

Subtractive 2 color: Bi-pack, duplitized

Thomson Color

Additive 3 color: Lenticular screen

3 Images

Polacolor

Subtractive 3 color: Color separation, multicolor dye images

Trucolor 2 color

Subtractive 2 color: Bi-pack, double-coated with dye couplers
“By the 1940s, most of the two-colour subtractive processes, apart from Cinecolor, were obsolete. The widespread use of the high-quality Technicolor process showed up the serious deficiencies in the simpler methods. The only significant new ...

Rouxcolor 4 color

Additive 4 color: 4 lenses

7 Images in 1 Gallery

Gevacolor Negative

Subtractive 3 color: Chromogenic monopack

4 Images in 1 Gallery

Ansco One-Strip Color-Separation Film, type 155

Subtractive 3 color: one-strip color separation
See Ansco Colorpak / Ansco Color, type 735, Ansco Color Release Film, type 732 and Ansco Color Duplicating Film, type 132.

Gevacolor T 6 51

Subtractive 3 color: Chromogenic monopack

Technichrome

Subtractive 2 color: Dye transfer, 2 color bi-pack, 3 color printing

4 Images in 1 Gallery

Cinefotocolor

Subtractive 2 color: Bi-pack

Pinchart

Additive 3 color: Four lenses, red-green-blue-grey

2 Images

DuPont Color Film Type 275

Subtractive 3 color: Color release positive stock, multilayer monopack

4 Images

Ferrania color / Ferraniacolor / 3M color

Subtractive 3 color: Chromogenic monopack

217 Images in 8 Galleries

Fujicolor

Subtractive 3 color: Chromogenic monopack reversal (from 1949), negative/positive process (from 1955)
“The Fujicolor process is a three-color subtractive negative/positive process introduced in 1955 by the Fuji Photo Film Co., Ltd., Tokyo, Japan. When the process was introduced it consisted of two elements that could be used singly or together. ...

141 Images in 7 Galleries

DuPont Stripping Negative

Subtractive 3 color: Stripping film

2 Images

Trucolor 3 color

Subtractive 3 color: Color separation on DuPont Release Positive Film

Chromart Simplex

Subtractive 2 color: Chromogenic monopack

Opticolor

Additive 3 color: Lenticular screen

Eastman Color

Subtractive 3 color: Chromogenic monopack
“The Eastman Colour Films are multilayer films of the type in which the layers are not separated after exposure. Films of this class are known as Multilayer, Monopack or Integral Tripack. “Multilayer” is descriptive not only of this ...

707 Images in 23 Galleries