Cibachrome 1963, after 1991 renamed Ilfochrome

1963

|

Ciba

Subtractive 3 color: dye destruction process, silver dye-bleach, still photography and film

“The materials and processes described thus far have been either unsuccessful or short-lived for one reason or another; the trend changed with the launch of Cibachrome in the 1960s. The product and its subsequent forms dominated the silver ...

Access detailed information ›

Pénichon, Sylvie (2013): Twentieth Century Colour Photographs. The Complete Guide to Processes, Identification & Preservation. London, Los Angeles: Thames & Hudson, p. 216.

1 Image

Polacolor Instant Photography

1963

|

Edwin Land

Instant still photography

“Polacolor was commercialized in 1963 and became an immediate success. It was acclaimed as the ‘most outstanding single advance in photographic science made during this century’ (Crawley 1963). Indeed, Polacolor introduced important ...

Access detailed information ›

Source: Pénichon, Sylvie (2013): Twentieth Century Colour Photographs. The Complete Guide to Processes, Identification & Preservation. London, Los Angeles: Thames & Hudson, p. 235.
Source: Pénichon, Sylvie (2013): Twentieth Century Colour Photographs. The Complete Guide to Processes, Identification & Preservation. London, Los Angeles: Thames & Hudson, p. 235.
Source: Pénichon, Sylvie (2013): Twentieth Century Colour Photographs. The Complete Guide to Processes, Identification & Preservation. London, Los Angeles: Thames & Hudson, p. 235.
Source: Pénichon, Sylvie (2013): Twentieth Century Colour Photographs. The Complete Guide to Processes, Identification & Preservation. London, Los Angeles: Thames & Hudson, p. 258.

4 Images

Svema DS-5M

1963

|

(Svema, Shostka Chemical Plant)

Subtractive 3 color: Chromogenic monopack

Access detailed information ›

Eastman Color Print Film 5385 / 7385

1962

|

Eastman Kodak Company

Subtractive 3 color: Chromogenic monopack

Access detailed information ›

Agfachrome

1962

|

(Agfa AG)

Subtractive 3 color: Chromogenic monopack, reversal, small gauge

Access detailed information ›

Photomicrograph 1000x, Agfachrome cross section. Credit: Carsta Knaack.
Photomicrograph 500x, Agfachrome cross section. Credit: Carsta Knaack.

2 Images

Ferraniacolor Cine Universal

1962

|

(Ferrania)

Subtractive 3 color: Chromogenic monopack

Access detailed information ›

Eastman Color Negative, type 5251

1962

|

(Eastman Kodak)

Subtractive 3 color: Chromogenic monopack, Tungsten, 50 ASA

Access detailed information ›

Agfacolor Negative, type G 432

1962

|

(VEB Filmfabrik Agfa Wolfen, GDR)

Subtractive 3 color: Chromogenic monopack, Tungsten

Access detailed information ›

Panacolor

1962

|

Michele P. L. Martinez (Panacolor, Inc)

Subtractive 3 color: Color separation, multilayer print

Access detailed information ›

Credit: Gert Koshofer Collection. Photograph by Barbara Flueckiger

11 Images in 1 Gallery

Svema DS-4

1962

|

(Svema, Shostka Chemical Plant)

Subtractive 3 color: Chromogenic monopack

Access detailed information ›

Kodachrome II

1961

|

(Eastman Kodak)

Subtractive 3 color: Chromogenic monopack, reversal, 16 mm, 25 to 40 ASA

Kodachrome II was introduced in 1961. It was the first film stock since 1936 that was specifically meant for amateur use. Eastman Kodak presented the material as superior to the ‘regular Kodachrome’. It supposedly had a higher speed of 25 ...

Access detailed information ›

La perception et l'imaginaire (FRA 1964, Éric Duvivier). Credit: Image'Est. Photographs of the Kodachrome II camera material by Bregt Lameris, ERC Advanced Grant FilmColors.
Les autopathes (FRA 1971, Éric Duvivier). Credit: Image'Est. Photographs of the kodachrome reversal by Bregt Lameris, ERC Advanced Grant FilmColors.
Hallucinations: Images du monde visionnaire (FRA 1963, Éric Duvivier). Credit: Image'Est. Photographs of undated Kodachrome II projection print by Bregt Lameris, ERC Advanced Grant FilmColors.

84 Images in 5 Galleries

Eastman Ektachrome ER, type 5257

1960

|

(Eastman Kodak)

Subtractive 3 color: chromogenic monopack, reversal, daylight, 160 ASA

Access detailed information ›

cross section scheme of Ektachrome Type 5257 (and 5258). Scource: Groet, N.H./Murray, T.J./Osborne, C.E. (1960): Two High-Speed Color Films and a Reversal Print Film for Motion Picture Use. In: JSMPTE Vol. 69, p. 816.

1 Image

Eastman Ektachrome ER, type B, type 5258

1960

|

(Eastman Kodak)

Subtractive 3 color: Chromogenic monopack, reversal, Tungsten, 125 ASA

Access detailed information ›

Ektachrome ER

1960

|

Eastman Kodak

Subtractive 3 color: Chromogenic monopack, 16mm and 35mm reversal

Access detailed information ›

Svema DS-3

1960

|

(Svema, Shostka Chemical Plant)

Subtractive 3 color: Chromogenic monopack

Access detailed information ›

Svema LN-3

1960

|

(Svema, Shostka Chemical Plant)

Subtractive 3 color: Chromogenic monopack

Access detailed information ›

Agfacolor Negative, type 4 (CN4)

1960

|

(Agfa AG, Leverkusen, Bayerwerk)

Subtractive 3 color: Chromogenic monopack, universal

Access detailed information ›

Eastman Color Print Film 7383

1959

|

Eastman Kodak Company

Subtractive 3 color: Chromogenic monopack

Access detailed information ›

Fresson Quadrichromy

1959

|

Pierre Fresson; Atelier Fresson

Subtractive 4 color: pigment process, still photography

“In 1951, when pigment processes were falling into disfavor, Pierre Fresson (1904–1983) of Atelier Fresson developed Fresson Quadrichromy, a four-color printing method based on the monochrome direct carbon process (charbon-satin) that had ...

Access detailed information ›

Pénichon, Sylvie (2013): Twentieth Century Colour Photographs. The Complete Guide to Processes, Identification & Preservation. London, Los Angeles: Thames & Hudson, p. 91.

1 Image

Eastman Color Reversal Film SO-260

1959

|

(Eastman Kodak)

Subtractive 3 color: Chromogenic monopack, reversal, daylight, 160 ASA

Access detailed information ›

Eastman Color Reversal Film SO-260

1959

|

(Eastman Kodak)

Subtractive 3 color: Chromogenic monopack, reversal, Tungsten, 125 ASA

Access detailed information ›

Dynachrome

1959

Subtractive 3 color: Chromogenic monopack, small gauge, double 8

Access detailed information ›

Eastman Color Negative, type 5250

1959

|

(Eastman Kodak)

Subtractive 3 color: Chromogenic monopack, Tungsten, 50 ASA

Access detailed information ›

Cross section scheme of Eastman Color Negative, Type 5250. Scource: Dundon, Merle L./Zwick, Daan M. (1959): A High Speed Color Negative Film. In: JSMPTE Vol 68, p. 736.

1 Image

Moviechrome

1959

|

(Ansco Corp)

Subtractive 3 color: Chromogenic monopack, reversal, 16 mm

Access detailed information ›

Super Anscochrome Tungsten, type 226

1958

|

(Ansco Division of General Aniline and Film Corporation)

Subtractive 3 color: Chromogenic monopack, reversal, 16mm

See Anscochrome and Super Anscochrome Daylight, type 225.

Access detailed information ›

Fujicolor Negative, type 8512

1958

|

(Fuji Photo Film Co., Ltd.)

Subtractive 3 color: Chromogenic monopack

Access detailed information ›

Ektachrome Commercial Type 7255

1958

|

(Eastman Kodak)

Subtractive 3 color: chromogenic monopack, 16mm reversal

Access detailed information ›

Cross section of Ektachrome Commercial, Type 7255. Scource: Groet, N. H./Liberman, M./ Richey, F. (1959): An Improved Professional 16mm Reversal Camera Film. In: JSMPTE, Vol. 68, January 1959, p. 9.

1 Image

Eastman Ektachrome Commercial, type 7255

1958

|

(Eastman Kodak)

Subtractive 3 color: Chromogenic monopack, 16mm reversal

Access detailed information ›

Gevacolor Positive Film T 9 53

1958

|

(Gevaert Photo-Produkten N.V.)

Subtractive 3 color: Chromogenic monopack

Access detailed information ›

Gevacolor T 6 53

1958

|

(Gevaert Photo-Produkten N. V )

Subtractive 3 color: Chromogenic monopack

Access detailed information ›

Columbiacolor

1958

|

(Columbia Pictures, Hollywood)

Subtractive 3 color: Chromogenic monopack, Eastman Color

Access detailed information ›

Super Anscochrome Daylight, type 225

1957

|

(Ansco Division of General Aniline and Film Corporation)

Subtractive 3 color: Chromogenic monopack, reversal, 16mm

See Anscochrome and Super Anscochrome Tungsten, type 226.

Access detailed information ›

Ansco Color Negative, type 845

1957

|

(Ansco Division of General Aniline and Film Corporation)

Subtractive 3 color: Chromogenic monopack

Access detailed information ›

Fomacolor

1957

|

(Fotochema)

Subtractive 3 color: Chromogenic monopack

A chromogenic process based on Agfacolor, see detail page Agfacolor Neu / Agfacolor.

Access detailed information ›

Credit: Národní filmový archiv / National Film Archive, Prague. Film: Jen počkej X (Nu, pogodi!) (Vjačeslav Kotěnočkin, USSR, 1976).
Credit: Národní filmový archiv / National Film Archive, Prague. Film: Jen počkej X (Nu, pogodi!) (Vjačeslav Kotěnočkin, USSR, 1976).
Credit: Národní filmový archiv / National Film Archive, Prague. Film: Jen počkej X (Nu, pogodi!) (Vjačeslav Kotěnočkin, USSR, 1976).
Credit: Národní filmový archiv / National Film Archive, Prague. Film: Jen počkej X (Nu, pogodi!) (Vjačeslav Kotěnočkin, USSR, 1976).
Credit: Národní filmový archiv / National Film Archive, Prague. Film: Jen počkej X (Nu, pogodi!) (Vjačeslav Kotěnočkin, USSR, 1976).
Credit: Národní filmový archiv / National Film Archive, Prague. Film: Jen počkej X (Nu, pogodi!) (Vjačeslav Kotěnočkin, USSR, 1976).
Credit: Národní filmový archiv / National Film Archive, Prague. Film: Jak se Žofka postarala o svatbu (Adolf Born, Jaroslav Doubrava, Miloš Macourek, Czechoslovakia 1988).
Credit: Národní filmový archiv / National Film Archive, Prague. Film: Jak se Žofka postarala o svatbu (Adolf Born, Jaroslav Doubrava, Miloš Macourek, Czechoslovakia 1988).
Credit: Národní filmový archiv / National Film Archive, Prague. Film: Jak se Žofka postarala o svatbu (Adolf Born, Jaroslav Doubrava, Miloš Macourek, Czechoslovakia 1988).
Credit: Národní filmový archiv / National Film Archive, Prague. Film: Jak se Žofka postarala o svatbu (Adolf Born, Jaroslav Doubrava, Miloš Macourek, Czechoslovakia 1988).
Credit: Národní filmový archiv / National Film Archive, Prague. Film: Jak se Žofka postarala o svatbu (Adolf Born, Jaroslav Doubrava, Miloš Macourek, Czechoslovakia 1988).
Credit: Národní filmový archiv / National Film Archive, Prague. Film: Jak se Žofka postarala o svatbu (Adolf Born, Jaroslav Doubrava, Miloš Macourek, Czechoslovakia 1988).
Credit: Národní filmový archiv / National Film Archive, Prague. Film: Jak se Žofka postarala o svatbu (Adolf Born, Jaroslav Doubrava, Miloš Macourek, Czechoslovakia 1988).
Eastmancolor negative on Fomacolor positive. Credit: Národní filmový archiv / National Film Archive, Prague. Film: Slunečná laguna (Mirko Kačena, Czechoslovakia 1990).
Eastmancolor negative on Fomacolor positive. Credit: Národní filmový archiv / National Film Archive, Prague. Film: Slunečná laguna (Mirko Kačena, Czechoslovakia 1990).
Eastmancolor negative on Fomacolor positive. Credit: Národní filmový archiv / National Film Archive, Prague. Film: Slunečná laguna (Mirko Kačena, Czechoslovakia 1990).
Eastmancolor negative on Fomacolor positive. Credit: Národní filmový archiv / National Film Archive, Prague. Film: Slunečná laguna (Mirko Kačena, Czechoslovakia 1990).
Eastmancolor negative on Fomacolor positive. Credit: Národní filmový archiv / National Film Archive, Prague. Film: Slunečná laguna (Mirko Kačena, Czechoslovakia 1990).

18 Images

Eastman Panchromatic Separation Film 5235

1956

|

Eastman Kodak Company

Black and white panchromatic film: Three-color separation positives from color negatives

Access detailed information ›

Eastman Embossed Kinescope Recording Film

1956

|

(Eastman Kodak)

Additive 3 color: Lenticular screen

Access detailed information ›

Recording of a color video signal onto lenticular film.
Playback of the color image on the lenticular film as a television signal.

2 Images

Svema DS-2

1956

|

(Svema, Shostka Chemical Plant)

Subtractive 3 color: Chromogenic monopack

Access detailed information ›

Ansco Color Dupe Negative, type 846

1956

|

(Ansco Division of General Aniline and Film Corporation)

Subtractive 3 color: Chromogenic monopack

Access detailed information ›

Svema LN-2

1956

|

(Svema, Shostka Chemical Plant)

Subtractive 3 color: Chromogenic monopack

Access detailed information ›

Ansco Color Print Film, type 848

1956

|

(Ansco Division of General Aniline and Film Corporation)

Subtractive 3 color: Chromogenic monopack

Access detailed information ›

Eastman Reversal Color Print Film Type 5269 / 7387

1956

|

Eastman Kodak Company

Subtractive 3 color: Chromogenic monopack, reversal

Eastman Kodak reversal film duplication stock for (semi)professional use. Replaced Type 5265. Type 7387 introduced in 1964 as improved version. Difficult to see the difference (BL).

Access detailed information ›

Ansco Color Reversal Duplicating Film, type 538

1956

|

(Ansco Division of General Aniline and Film Corporation)

Subtractive 3 color: Chromogenic monopack, reversal

Access detailed information ›

Eastman Color Internegative Film 5270 / 7270

1956

|

Eastman Kodak Company

Subtractive 3 color: Chromogenic monopack

Access detailed information ›

Eastman Color Intermedeate Film 5253

1956

|

Eastman Kodak Company

Subtractive 3 color: Chromogenic monopack

Access detailed information ›

Fujicolor Negative, type 8511

1955

|

(Fuji Photo Film Co., Ltd.)

Subtractive 3 color: Chromogenic monopack

Access detailed information ›

Mondiacolor

1955

|

Chevalier

Additive 3 color: Mosaic screen

Access detailed information ›

Eastman Television Recording Film 5374 / 7374

1955

|

Eastman Kodak Company

Subtractive 3 color: Chromogenic monopack

Access detailed information ›

Agfacolor Negative, type 3 (CN3)

1955

|

(Agfa AG, Leverkusen, Bayerwerk)

Subtractive 3 color: Chromogenic monopack, universal

Access detailed information ›

Anscochrome

1955

|

(Ansco Division of General Aniline and Film Corporation)

Subtractive 3 color: Chromogenic monopack, reversal, 16mm

Access detailed information ›

Cross section scheme of Anscochrome. Scource: Forrest; John L. (1955): Processing Anscochrome Motion-Picture Films for Industrial and Scientific Applications. In: Journal SMPTE, Vol. 64, Dec. 1955, p. 679.