Eastman EXR Color Print Film 2386 / 3386

Subtractive 3 color: Chromogenic monopack

Eastman EXR Color Print Film 5386 / 7386

Subtractive 3 color: Chromogenic monopack

Eastman EXR Primetime 640T Teleproduction Film 5600 (P)

Subtractive 3 color: Chromogenic monopack, Tungsten, 650 ASA

Eastman Fine Grain Release Positive Film 5302 / 7302

Subtractive 3 color: Chromogenic monopack

Eastman Lenticular Print Film Type 5306

Additive 3 color: Lenticular screen

Eastman Multilayer Stripping Film / Kodak Stripping Film

Subtractive 3 color: Stripping film

Eastman Panchromatic Separation Film 5216

Black and white panchromatic film: Three-color separation positives from color negatives

Eastman Panchromatic Separation Film 5235

Black and white panchromatic film: Three-color separation positives from color negatives

Eastman Reversal Color Print Film Type 5269 / 7387

Subtractive 3 color: Chromogenic monopack, reversal
Eastman Kodak reversal film duplication stock for (semi)professional use. Replaced Type 5265. Type 7387 introduced in 1964 as improved version. Difficult to see the difference (BL).

Eastman Reversal Print Film 7387

Subtractive 3 color: Chromogenic monopack, reversal, 16 mm

Eastman RP Negative Film 7229

Subtractive 3 color: Chromogenic monopack

Eastman Special Order Print Film SO-886

Subtractive 3 color: Chromogenic monopack

Eastman Television Recording Film 5374 / 7374

Subtractive 3 color: Chromogenic monopack

91 Images in 6 Galleries

Ektachrome Commercial Type 7255

Subtractive 3 color: Chromogenic monopack, 16mm reversal

1 Image

Ektachrome EF

Subtractive 3 color: Chromogenic monopack, 16mm reversal, high speed

Ektachrome ER

Subtractive 3 color: Chromogenic monopack, 16mm and 35mm reversal

Ektachrome MS

Subtractive 3 color: Chromogenic monopack, 16mm and 35mm reversal

Ektachrome R Print

Subtractive 3 color: Chromogenic monopack, 16mm reversal

Ektachrome Video News

Subtractive 3 color: Chromogenic monopack, 16mm reversal, high-speed

Experimental Eastman Separation Film (5238)

Subtractive 3 color: Chromogenic monopack

Ferrania color / Ferraniacolor / 3M color

Subtractive 3 color: Chromogenic monopack

217 Images in 8 Galleries

Ferrania Type HS Color Release Positive

Subtractive 3 color: Chromogenic monopack

Ferraniacolor Cine Universal

Subtractive 3 color: Chromogenic monopack

Ferraniacolor, type 54

Subtractive 3 color: Chromogenic monopack

Finlay

Additive 3 color: Regular mosaic screen, still photography

9 Images in 1 Gallery

Fomacolor

Subtractive 3 color: Chromogenic monopack
A chromogenic process based on Agfacolor, see detail page Agfacolor Neu / Agfacolor.

18 Images

Fotoncolor OR Fotonkolor

Subtractive 3 color: Chromogenic monopack

1 Image

Francita-Reality / Francita / Opticolor / Realita

Additive 3 color: Beam-splitter and rotary fllter, substandard

9 Images in 1 Gallery

Friese-Greene

Additive 2 or 3 color: Alternately stained

“In 1898 William Friese-Greene, a professional portrait photographer by trade, demonstrated in London ‘the first process of true natural-color cinematography.’ His program consisted of  ‘a series of animated natural-color pictures,’ and although this demonstration aroused considerable interest at the time, Friese-Greene was unable to exploit this system on a profitable basis. Undaunted, he eventually developed a total of four different color methods.”

112 Images in 2 Galleries