Svema CO-T-90 L

Subtractive 3 color: Chromogenic monopack

Svema CO-T-22 D

Subtractive 3 color: Chromogenic monopack

Svema LN-7

Subtractive 3 color: Chromogenic monopack

Svema LN-8

Subtractive 3 color: Chromogenic monopack

Technic-Colour

Subtractive 2 color: Beam-splitter, duplitized

Technicolor Monopack / Kodachrome Professional Type 5267 / Eastman Monopack 7267

Subtractive 3 color: Chromogenic monopack
During the 1940s Kodachrome was used as camera material for films that were blown up to 35mm Technicolor projection prints. Technicolor used this technology from 1942 until the mid-1950s when Eastman Kodak introduced the Eastmancolor ...

Technicolor No. II

Subtractive 2 color: 2 toned films cemented

The first subtractive 2 color process introduced by Technicolor captured the incoming light through a beam splitter with red and green filters also. However, in contrast to the first Technicolor process, the two b/w images were recorded on one negative strip. This was achieved by the pull-down of two frames simultaneously, a process that required the double speed in the camera. These two frames were arranged in pairs, whereby the green record was inverted up-side down (see image).

133 Images in 8 Galleries

Technicolor No. III

Subtractive 2 color: Beam-splitter, dye transfer

The third Technicolor process used the same camera as process no. II to combine a pair of frames of the red and green record respectively on the b/w negative (see image). In contrast to the former process, however, the two images were printed on one side of the positive by the dye transfer or imbibition process.

1296 Images in 37 Galleries

Technicolor No. IV: Three-strip

Subtractive 3 color: Color separation, beam-splitter, dye transfer
With the fourth Technicolor process the company dominated the market for color films from the mid-1930s to the 1950s. In a special camera, three b/w negative films were exposed through a beam-splitter that consisted of two prisms to form a cube. One ...

1880 Images in 65 Galleries

Technichrome

Subtractive 2 color: Dye transfer, 2 color bi-pack, 3 color printing

4 Images in 1 Gallery

Technicolor No. V: Dye transfer prints from chromogenic negative

Subtractive 3 color: Dye transfer
With the introduction of the chromogenic Eastmancolor negative/positive process it became possible to shoot with a normal one-strip camera. Three b/w color separations were produced from the Eastmancolor negative and printed by dye transfer on blank ...

2261 Images in 41 Galleries

Chromolithography

Applied colors: printing
Widely used in print media around 1900, the chromolithographic printing process was first adapted for the Laterna Magica and then utilized to produce early animated films primarily aimed at children. These films were usually very short ...

119 Images in 3 Galleries

Hand coloring

Applied colors: Manual application

Coloring of individual frames by the use of very fine brushes. The process was previously applied to lantern slides. Any water based translucent dye was suited for the process, most often the coloring was done with acid dyes.

250 Images in 18 Galleries

Agfacolor Negative, type B 333

Subtractive 3 color: Chromogenic monopack, daylight
For more information on the Agfacolor chromogenic process see Agfacolor Neu / Agfacolor.

11 Images

Agfacolor Negative, type G 334

Subtractive 3 color: Chromogenic monopack, Tungsten

Agfacolor Negative, type G 432

Subtractive 3 color: Chromogenic monopack, Tungsten

Orwocolor

Subtractive 3 color: Chromogenic monopack

1026 Images in 27 Galleries

Orwochrom

Subtractive 3 color: Chromogenic monopack, reversal, 16 mm

84 Images in 3 Galleries

Orwocolor NC 1

Subtractive 3 color: Chromogenic monopack

Orwocolor NC 3

Subtractive 3 color: Chromogenic monopack

Vericolor

Subtractive 2 color: unknown

40 Images

Vitacolor

Subtractive 2 color: Single coated

Fotoncolor OR Fotonkolor

Subtractive 3 color: Chromogenic monopack

1 Image

Hérault Trichrome

Additive 3 color: Alternately stained in red, green and blue
“The Hérault Trichrome process was demonstrated in Paris on 1 October 1926, with three films made by A. Rodde — a fashion show, a documentary on Brittany and a tableau of the Legend of the King of Ys. Hérault Trichrome was an extension of ...

12 Images in 1 Gallery

Hillman Process

Additive 3 color: Rotary filter, mirror system with two lenses

3 Images

Polychromide

Subtractive 2 color: Beam-splitter, later bi-pack, mordant dye
“Polychromide, a two-color subtractive process invented in 1918 by Aron Hamburger, achieved limited commercial success overseas, and was occasionally employed in England as late as 1933. Originally an orthochromatic and a panchromatic negative were ...

66 Images in 2 Galleries

Bi-pack

Subtractive 2 color: Bi-pack, still photography
A. Gurtner (Eng. P. 7924/03; U.S.P. 730454), used a front element that was sensitive only to the blue, and a rear element that was sensitive up to but not including the red. He was the first person to suggest that the two films or plates be placed ...

1 Image

Chromo-Film

Additive 3 color: Double-sized film, rotary filter

Agfa-Gevaert

Subtractive 3 color

Kodacolor / Keller-Dorian Color

Additive 3 color: Lenticular screen
“LENTICULAR PROCESS In 1896 R. E. Liesegang (Ahriman, 1896) suggested a photographic color process based upon the use of banded filters in the camera aperture. […] In 1909 R. Berthon (British Patent 10,611; see also Berthon, 1910a, b) ...

24 Images in 1 Gallery