Timeline of Historical Colors in Photography and Film

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Minicolor

1941
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Eastman Kodak Company
Subtractive 3 color: dye coupling or chromogenic process, still photography
“In 1941 Kodak introduced a printing service for wallet-size Minicolor prints on a white opaque support of pigmented acetate made from 35mm transparencies (Fig. 5.6). A similar product called Kotavachrome was designed for larger prints made ...

1 Image

Eastman Kodak integral films

1976
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Eastman Kodak Company
Subtractive 3 color: dye diffusion process, still photography
“Kodak Instant Print Film PR-10 was based on a dye release system that used ballasted preformed dyes and reversal emulsion instead of dye developers and negative emulsion. Processing started when the film passed between pressure rollers that ...

1 Image

Ektaflex PCT

1981
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Eastman Kodak Company
Subtractive 3 color: dye diffusion process, still photography
“In 1981 Eastman Kodak introduced an innovative product, Ektaflex PCT (Photo Color Transfer), which allowed photographers to instantly print enlarged negatives or transparencies. Up to this time only in-camera picture taking had been possible ...

1 Image

Azochrome

1940
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Eastman Kodak Company
Subtractive 3 color: dye destruction process, silver dye-bleach, still photography
“Between 1934 and 1941 Eastman Kodak developed a silver dye-bleach printing material called Azochrome. In 1941 it announced the launching of Azochrome but held back the product at the onset of World War II. After the war, the company decided to ...

Ektachrome

1946–2012, 2018–
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Eastman Kodak Company
Subtractive 3 color: dye coupling (or Chromogenic) process, reversal, still photography and film
“Brand name for various reversal films from Eastman Kodak (full name: Eastman Ektachrome) based on the Eastman Colour process. a) Ektachrome Commercial is a 16 mm film with flat gradation manufactured since 1958 for recordings from which ...

Kodak Ektachrome 160T Professional FIlm / EPT

1976
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Eastman Kodak Company
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USA
Subtractive 3 color: chromogenic monopack, reversal, 35 mm
Kodak Ektachrome 160T Professional Film is a color reversal film. With an ISO speed of 160, it is designed for exposure with tungsten illumination (3200 K).

5 Images

Kodak Vision3 200T Color Negative Film 5213 / 7213

2010
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Eastman Kodak Company
Subtractive 3 color: chromogenic monopack, tungsten, 200 ASA (with 100 ASA grain structure)

1 Image

Kodak Professional Ektachrome E100G

2002
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Eastman Kodak Company
Subtractive 3 color: chromogenic monopack, reversal
Kodak Professional Ektachrome E100G is a fine-grain color reversal film. With an ISO speed of 100, it is ideal for shooting in daylight or with an electronic flash. It has medium color saturation and a neutral color balance.

1 Image

Kodak Professional Ektachrome E100GX

2002
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Eastman Kodak Company
Subtractive 3 color: chromogenic monopack, reversal
Kodak Professional Ektachrome E100GX is a fine-grain color reversal film. With an ISO speed of 100, it is ideal for shooting in daylight or with an electronic flash. It has medium color saturation and a warm color balance (the “X” stands ...

1 Image

Kodak Ektachrome 100 Plus Professional Film

1988
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Eastman Kodak Company
Subtractive 3 color: chromogenic monopack, reversal
Kodak Ektachrome 100 Plus Professional Film is a fine-grain color reversal film. With an ISO speed of 100, it is designed for use in daylight or with electronic flash. It combines high color saturation with dependable neutral tones.

1 Image

Kodak Ektachrome 64T Professional Film

1988
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Eastman Kodak Company
Subtractive 3 color: chromogenic monopack, reversal
Kodak Ektachrome 64T Professional Film is a color reversal film. With an ISO speed of 64, it is designed for exposure with tungsten illumination (3200 K).

1 Image

Kodak Ektachrome 100 Professional Film

1984
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Eastman Kodak Company
Subtractive 3 color: chromogenic monopack, reversal
Kodak Ektachrome 100 Professional Film is a daylight-balanced color reversal film. With an ISO speed of 100, it is intended for exposure with daylight or electronic flash.

1 Image

Kodak Professional Elite Chrome Extra Color 100 Film

ca. 1994
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Eastman Kodak Company
Subtractive 3 color: chromogenic monopack, reversal
Kodak Professional Elite Chrome Extra Color 100 Film is a color reversal film from Kodak’s Elite Chrome product line. With an ISO speed of 100, it is designed for exposure with daylight or electronic flash.

1 Image

Kodak Ektachrome 100D Color Reversal Film 5294 / 7294

2019
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Eastman Kodak Company
Subtractive 3 color: chromogenic monopack, reversal
Kodak Ektachrome 100D Color Reversal Film 5294/7294 is a color reversal motion picture camera film. With an ISO speed of 100, it is designed for use in daylight (5500 K).

1 Image

Kodak Ektachrome 320T Professional Film

ca. 1992
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Eastman Kodak Company
Subtractive 3 color: chromogenic monopack, reversal, 35 mm
Kodak Ektachrome 320T Professional Film is a color reversal film. With an ISO speed of 320, it is balanced for exposure with tungsten illumination.

1 Image

Kodak Professional Ektachrome Film E100VS

1999
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Eastman Kodak Company
Subtractive 3 color: chromogenic monopack, reversal
Kodak Professional Ektachrome Film E100VS is a daylight-balanced color reversal film with an ISO speed of 100.

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Kodak Ektachrome 64 Professional Film

1976
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Eastman Kodak Company
Subtractive 3 color: chromogenic monopack, reversal
Kodak Ektachrome 64 Professional Film is a color reversal film with an ISO speed of 64. It is designed for use with either daylight or electronic flash.

1 Image

Kodak Ektachrome P1600 Professional Film

ca. 1992
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Eastman Kodak Company
Subtractive 3 color: chromogenic monopack, reversal, 35 mm
Kodak Ektachrome P1600 Professional Film is a daylight-balanced color reversal film designed for push processing. Its optimal effective speed is EI 1600, achieved through a two-stop push with Process E-6P.

1 Image

Kodak Ektachrome 400X Professional Film

ca. 1992
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Eastman Kodak Company
Subtractive 3 color: chromogenic monopack, reversal
Kodak Ektachrome 400X Professional Film is a color reversal film. With an ISO speed of 400, it is designed for exposure with daylight or electronic flash.

1 Image

Kodak Professional Ektachrome Film E200

1997
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Eastman Kodak Company
Subtractive 3 color: chromogenic monopack, reversal
Kodak Professional Ektachrome Film E200 is a daylight-balanced color reversal film. With an ISO speed of 200, it is designed for use with either daylight or electronic flash. It can be push-processed to an exposure index (EI) of 800.

1 Image

Kodak Professional Elite Chrome 200 Film

1993
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Eastman Kodak Company
Subtractive 3 color: chromogenic monopack, reversal
Kodak Professional Elite Chrome 200 Film is a daylight-balanced color reversal film from Kodak’s Elite Chrome product line. With an ISO speed of 200, it is designed for exposure with daylight or electronic flash.

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Kodak Professional Elite Chrome 100 Film

1993
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Eastman Kodak Company
Subtractive 3 color: chromogenic monopack, reversal
Kodak Professional Elite Chrome 100 film is a daylight-balanced color reversal film from the Elite Chrome product line. With an ISO speed of 100, it is designed for exposure with daylight or electronic flash. Its RMS granularity value is 8.

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Kodak Professional Ektachrome Duplicating Film Edupe

2001
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Eastman Kodak Company
Subtractive 3 color: chromogenic monopack, reversal
Kodak Professional Ektachrome Duplicating Film Edupe is a low-contrast color reversal duplicating film. It is designed to make duplicates of originals on Kodak Ektachrome or Kodachrome film.

1 Image

Kodachrome 25 Professional Film

1983
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Eastman Kodak Company
Subtractive 3 color: chromogenic monopack, reversal
Kodachrome 25 Professional Film (PKM) is a color reversal film with an ISO speed of 25, intended for exposure with daylight or electronic flash. Kodachrome films are designed for the K-14 process, a complex process which uses external couplers.

1 Image

Kodachrome 64 Professional Film

1983
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Eastman Kodak Company
Subtractive 3 color: chromogenic monopack, reversal
Kodachrome 64 Professional Film (PKR) is a color reversal film with an ISO speed of 64, intended for exposure with daylight or electronic flash. Kodachrome films are designed for the K-14 process, a complex process which uses external couplers. In ...

1 Image

Kodachrome 200 Professional Film

1986
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Eastman Kodak Company
Subtractive 3 color: chromogenic monopack, reversal
Kodachrome 200 Professional Film (PKL) is a color reversal film with an ISO speed of 200, intended for exposure with daylight or electronic flash. Kodachrome films are designed for the K-14 process, a complex process which uses external couplers.

1 Image

Kodak Professional Ektapress Films

ca. 1988
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Eastman Kodak Company
Subtractive 3 color: chromogenic monopack, still photography
Kodak Professional Ektapress is a product line of professional color negative films for 35 mm photography that is designed for exposure with daylight or electronic flash. The line comprises three films of different speeds: PJ100 (ISO 100), PJ400 (ISO ...

3 Images

Kodak Pro 100T Film / PRT

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Eastman Kodak Company
Subtractive 3 color: chromogenic monopack, still photography
Kodak Pro 100T Film [PRT] is a tungsten-balanced color negative film. With an ISO speed of 100, it is designed for exposure under tungsten lighting (3200 K). It replaced Kodak Vericolor II Professional Film [VPL], and its successor is Kodak ...

1 Image

Kodak Vericolor III Professional Film

1983?
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Eastman Kodak Company
Subtractive 3 color: chromogenic monopack, still photography
Kodak Vericolor III Professional Film is a color negative film. With an ISO speed of 160, it is designed for exposure with daylight or electronic flash and for processing in the C-41 process. It has been discontinued, and Kodak recommends Portra ...

1 Image

Kodak Professional Supra Films

?
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Eastman Kodak Company
Subtractive 3 color: chromogenic monopack, still photography
Kodak Professional Supra is a product line of professional color negative films for commercial photography, designed for exposure with daylight or electronic flash. The line includes films of different speeds: Supra 100 (ISO 100), Supra 200 (ISO ...

2 Images