An American in Paris (1951)
(113 Images)
An American in Paris (USA 1951, Vincente Minnelli).
Credit: UCLA Film & Television Archive.
Photographs of the Technicolor dye-transfer safety print from 1951 by Barbara Flueckiger.
Credit: Academy Film Archive.
Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
Selected Analyses:
Ames, Preston (1951): The Ballet (An American in Paris). In: Production Design, 1,11, pp. 6–9, on pp. 6–8. View Quote
Bellantoni, Patti (2005): If It’s Purple, Someone’s Gonna Die. The Power of Color in Visual Storytelling. Taylor & Francis, on pp. 36–37. View Quote
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: UCLA Film & Television Archive. Photographs of the Technicolor dye-transfer safety print by Barbara Flueckiger.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: UCLA Film & Television Archive. Photographs of the Technicolor dye-transfer safety print by Barbara Flueckiger.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: UCLA Film & Television Archive. Photographs of the Technicolor dye-transfer safety print by Barbara Flueckiger.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: UCLA Film & Television Archive. Photographs of the Technicolor dye-transfer safety print by Barbara Flueckiger.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: UCLA Film & Television Archive. Photographs of the Technicolor dye-transfer safety print by Barbara Flueckiger.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: UCLA Film & Television Archive. Photographs of the Technicolor dye-transfer safety print by Barbara Flueckiger.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: UCLA Film & Television Archive. Photographs of the Technicolor dye-transfer safety print by Barbara Flueckiger.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: UCLA Film & Television Archive. Photographs of the Technicolor dye-transfer safety print by Barbara Flueckiger.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: UCLA Film & Television Archive. Photographs of the Technicolor dye-transfer safety print by Barbara Flueckiger.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: UCLA Film & Television Archive. Photographs of the Technicolor dye-transfer safety print by Barbara Flueckiger.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: UCLA Film & Television Archive. Photographs of the Technicolor dye-transfer safety print by Barbara Flueckiger.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: UCLA Film & Television Archive. Photographs of the Technicolor dye-transfer safety print by Barbara Flueckiger.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: UCLA Film & Television Archive. Photographs of the Technicolor dye-transfer safety print by Barbara Flueckiger.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: UCLA Film & Television Archive. Photographs of the Technicolor dye-transfer safety print by Barbara Flueckiger.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: UCLA Film & Television Archive. Photographs of the Technicolor dye-transfer safety print by Barbara Flueckiger.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: UCLA Film & Television Archive. Photographs of the Technicolor dye-transfer safety print by Barbara Flueckiger.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: UCLA Film & Television Archive. Photographs of the Technicolor dye-transfer safety print by Barbara Flueckiger.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: UCLA Film & Television Archive. Photographs of the Technicolor dye-transfer safety print by Barbara Flueckiger.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: UCLA Film & Television Archive. Photographs of the Technicolor dye-transfer safety print by Barbara Flueckiger.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: UCLA Film & Television Archive. Photographs of the Technicolor dye-transfer safety print by Barbara Flueckiger.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: UCLA Film & Television Archive. Photographs of the Technicolor dye-transfer safety print by Barbara Flueckiger.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: UCLA Film & Television Archive. Photographs of the Technicolor dye-transfer safety print by Barbara Flueckiger.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide detailsAn American in Paris (USA 1951, Vincente Minnelli). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print from 1954 by Michelle Beutler, ERC Advanced Grant FilmColors.