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Color Perception and Cinematography

Bibliography

Arbus, Pierre (2009): Les couleurs de la guerre. In: Raphaëlle Costa de Beauregard (ed.): Cinéma et couleur. Paris: M. Houdiard, pp. 73–92. (in French) View Quote

Chion, Michel (1995): Colorisations. In: Jacques Aumont (ed.): La Couleur en cinéma. Milan: Mazzotta, pp. 63–69, on pp. 63–65 View Quote and on pp. 65–67.) (in French) View Quote

Conrad-Alberti, Victor (1933): Die technischen und künstlerischen Voraussetzungen für die Herstellung farbiger Kulturfilme. In: Film-Kurier, 112, 13.5.1933. (in German) View Quote

Eggert, John; Heymer, Gerd (1937): Der Stand der Farbenphotographie. In: Veröffentlichungen des wissenschaftlichen Zentral-Laboratoriums der photographischen Abteilung Agfa, pp. 7–28, on pp. 7–10. (in German) View Quote

Elliott, Eric (1934): Wither colour? In: Cinema Quarterly, 2,3, Spring, pp. 161–165. View Quote

Evans, Ralph Merrill (1943): Visual Process and Color Cinematography. In: Journal of the Optical Society of America, 33,11, 1943, pp. 579-614. View Quote

Evans, Ralph Merrill (1951): Psychological Aspects of Color and Illumination. In: Illumination Engineering. 46,4, pp. 176–181.

Frieser, Helmut; Reuther, Rudolf (1943): Farbumstimmung und Farbenphotographie. In: Film und Farbe. Vorträge auf der gemeinsamen Jahrestagung “Film und Farbe” in Dresden v. 1.–3. Okt. 1942, Berlin: Max Hesse, pp. 109–112. (in German) View Quote

Grob, Norbert (1991): Farbe im Auge, Ausdruck im Kopf. Hein Heckroths Farbdramaturgien für Powell & Pressburger. In: Katharina Spielhaupter (ed.): Hein Heckroth. Frankfurt/M.: Filmmuseum, pp. 57–78, on p. 60 View Quote and on pp. 60–61. (in German) View Quote

Hanson, Jr., W. T.; Richey, F. A. (1949): Three-Color Subtractive Photography. In: Journal of the Society of Motion Picture and Television Engineers, 52,2, pp. 119–132, on pp. 120–132. View Quote

Hunt, R.W.G. (1951): Colour Cinematography and the Human Eye. In: British Kinematography, 19,6, pp. 173–180, on pp. 173–175 View Quote, on p. 175 View Quote, on pp. 176–178. View Quote and on pp. 178–180. View Quote

Johnson, George Lindsay (1916): Photography in Colours. London: Routledge.

MacAdam, David L. (1938): Photographic Aspects of the Theory of Three-Color Reproduction. In: The Journal of the Optical Society of America, 28,11, Nov., pp. 399–418. View Quote

MacAdam, David L. (1938): Subtractive Color Mixture and Color Reproduction. In: The Journal of the Optical Society of America. 28, pp. 466–480.

Narath, Albert (1952): Psychologische Probleme bei der Wiedergabe von Farbfilmen. In: Kino-Technik, 6, pp. 131–132. View Quote

Troland, Leonard T. (1927): Some Psychological Aspects of Natural Color Motion Pictures. In: Transactions of the Society of Motion Picture Engineers, 11, 26.9.1927, pp. 680–698. Download PDF

Wright, W.D. (1948): Colour Vision and the Film Industry. In: Journal of British Kinematography, 13,1, Jul., pp. 1–13, on pp. 1–4 View Quote, on pp. 4–5 View Quote, on pp. 5–7 View Quote, on pp. 7–8 View Quote, on pp. 8–10 View Quote, on pp. 10–11 View Quote, on pp. 11–12 View Quote and on pp. 12–13. View Quote

Yumibe, Joshua (2013): L’espace de la couleur comme espace de jeu dans la littérature enfantine, le cinéma des premiers temps et les fééries. In: 1895. Revue d’Histoire du Cinéma, 71, pp. 33–46, on pp. 37–46. (in French) View Quote