Francita-Reality / Francita / Opticolor / Realita
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Source: Klein, Adrian Bernhard (Cornwell-Clyne) (1940): Colour Cinematography. Boston: American Photographic Pub. Co.
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Source: Klein, Adrian Bernhard (Cornwell-Clyne) (1940): Colour Cinematography. Boston: American Photographic Pub. Co.
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Source: Coe, Brian (1981): The History of Movie Photography. Westfield, N.J.: Eastview Editions.
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Schmidt, Richard / Kochs, Adolf (1943): Farbfilmtechnik. Eine Einführung für Filmschaffende. Berlin: Hesse, pp. 54-72. (Schriftenreihe der Reichsfilmkammer, 10.) (in German)
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Schmidt, Richard / Kochs, Adolf (1943): Farbfilmtechnik. Eine Einführung für Filmschaffende. Berlin: Hesse, pp. 54-72. (Schriftenreihe der Reichsfilmkammer, 10.) (in German)
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Secondary Sources
Alt, Dirk (2011): “Der Farbfilm marschiert!” Frühe Farbfilmverfahren und NS-Propaganda 1933-1945. München: Belleville, on p. 107 View Quote and on p. 128. (in German) View Quote
Brown, Simon (2012): Technical Appendix. In: Sarah Street: Colour Films in Britain. The Negotiation of Innovation 1900-55. Basingstoke, Hampshire: Palgrave Macmillan, pp. 259-287, on pp. 281-282. View Quote
Genaitay, Sonia; Dixon, Bryony (2010): Early Colour Film Restoration at the BFI National Archive. In: Journal of British Cinema and Television, 7,1, pp. 131-146, on pp. 141-146. View Quote
Heymer, Gerd (1943): Die neuere Entwicklung der Farbphotographie. In: Ergänzungswerk zum Handbuch der wissenschaftlichen und angewandten Photographie. Wien: Julius Springer 1943, pp. 337-463, pp. 385-386. View Quote
Klein, Adrian Bernhard = Cornwell-Clyne (1940): Colour Cinematography. Boston: American Photographic Pub. Co.. 2nd revised edition, pp. 160-161. View Quote
Koshofer, Gert (1966): Fünfundzwanzig Jahre deutscher Farbenspielfilm. In: Film – Kino – Technik, Vol. 20, No. 10, 1966, pp. 259-262, on p. 260. (in German) View Quote
Pierotti, Federico (2016): Un’archeologia del colore nel cinema italiano. Dal Technicolor ad Antonioni. Pisa: Edizioni ETS, on pp. 83–85 View Quote and on pp. 105–106. (in Italian) View Quote
Schmidt, Richard / Kochs, Adolf (1943): Farbfilmtechnik. Eine Einführung für Filmschaffende. Berlin: Hesse, pp. 54-72. (Schriftenreihe der Reichsfilmkammer, 10.) (in German) View Quote
Street, Sarah (2012): Colour Films in Britain. The Negotiation of Innovation 1900-55. Basingstoke, Hampshire: Palgrave Macmillan, on pp. 48–49. View Quote
Films
The Open Road (UK 1925, Claude Friese-Greene)
Jeunes filles à marier (FR 1935, Jean Vallée)1
La terre qui meurt (FR 1936, Jean Vallée)
Documentary of the Coronation of their Majesties King George VI and Queen Elizabeth [No title available] (UK 1937, Dufay-Chromex Ltd)2
Trooping the Colour (UK 1937, Dufay-Chromex Ltd)
The Coronation Naval Review [No title available] (UK 1937, [unknown])
RAF Display at Hendon [No title available] (UK 1937, [unknown])
1 Alt, Dirk (2011): “Der Farbfilm marschiert!” Frühe Farbfilmverfahren und NS-Propaganda 1933-1945. München: Belleville, on pp. 105–106. (in German) View Quote
2 Watkins, Liz (2013): Interview. Giovanna Fossati. In: Simon Brown, Sarah Street and Liz Watkins (eds.): British Colour Cinema. Practices and Theories. Hampshire: Palgrave Macmillan, pp. 228–235, on pp. 229–235.
Contemporary Reception
Jeunes filles à marier (FR 1935, Jean Vallée):
Alt, Dirk (2011): “Der Farbfilm marschiert!” Frühe Farbfilmverfahren und NS-Propaganda 1933-1945. München: Belleville, on pp. 105–106. (in German) View Quote
