Trucolor 3 color
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Original Technical Papers and Primary Sources
Fleet, Roe (1948): The Trucolor Process. In: American Cinematographer, March 1948, pp. 79 and 101. View Quote
Secondary Sources
Cleveland, David; Pritchard, Brian (2015): In: How Films were Made and Shown. Some Aspects of the Technical Side of Motion Picture Film 1895–2015, Manningtree, Essex: David Cleveland, on pp. 381–382. View Quote
Coe, Brian (1981): The History of Movie Photography. Westfield, N.J.: Eastview Editions, p. 129. View Quote
Cornwell-Clyne, Adrian (1951): Colour Cinematography. London: Chapman & Hall, pp. 353-355. View Quote
Limbacher, James L. (1969): Four Aspects of the Film. A History of the Development of Color, Sound, 3-D and Widescreen Films and Their Contribution to the Art of the Motion Picture. New York: Brussel & Brussel 1969, p. 58. View Quote
Nowotny, Robert A. (1983): The Way of All Flesh Tones. A History of Color Motion Picture Processes, 1895-1929. New York: Garland Pub., p. 195. View Quote
Petersen, F. W. (1949): Kommt das universale Farbfilmkopiermaterial? In: Bild und Ton, 2,10, p. 310. (in German) View Quote
Roger (1956): Erste deutsche Kritik am ‘Trucolor’-Farbsystem. In: Der Filmspiegel, 26,1950, Mar., n.p. (in German) View Quote
Ryan, Roderick T. (1977): A History of Motion Picture Color Technology. London: Focal Press, pp. 109-110 and pp. 148-149. View Quote
Films
Hell’s Fire (USA [no additional information available])
Out California Way (USA 1946, Lesley Selander)
Honeychile (USA 1951, R.G. Springsteen)
This Is Korea! (USA 1951, John Ford)
Montana Belle (USA 1952, Allan Dwan)
Oklahoma Annie (US 1952, R.G. Springsteen)
Ride the Man Down (USA 1952, Joseph Kane)
The Toughest Man in Arizona (USA 1952, R.G. Springsteen)
Woman of the North Country (USA 1952, Joseph Kane)
Fair Wind to Java (USA 1953, Joseph Kane, Trucolor Print from Eastman Color Negative)
Sweethearts on Parade (USA 1953, Allan Dwan)
The Lady Wants Mink (USA 1953, William A. Seiter)
Johnny Guitar (USA 1954, Nicholas Ray)1
Jubilee Trail (USA 1954, Joseph Kane)
Trouble in the Glen (USA 1954, Herbert Wilcox)2
Magic Fire (USA 1955, William Dieterle)
1 Viviani, Christian (1992): Le rose carminé de la fleur de cactus. Sur la couleur dans le western. In: Yann Tobin (1992): Dossier. La couleur du cinéma. In: Positif, 375–376, May, pp. 121–158, on pp. 150–151. (in French)
2 Ashton, George (1954): Colour at the Cinema. In: The British Journal of Photography, 101, 25 Jun., pp. 324–325, on p. 325. View Quote
Contemporary Reception
Ashton, George (1954): Colour at the Cinema. In: The British Journal of Photography, 101, 25 Jun., pp. 324–325, on p. 325. View Quote
