Agfacolor Film

Additive 3 color: mosaic screen, combined system, still photography
“Agfacolor Film (1932–1934): individual colored particles cannot be seen with the naked eye, but clumps of grains of the same color give the image a pointillist effect (Fig. 2.70). There is no black pigment filler. The film has a thick base ...

1 Image

Agfachrome CU 410

Subtractive 3 color: dye destruction process, silver dye-bleach, still photography
“Between 1970 and 1976, Agfa-Gevaert produced its own silver dye-bleach printing material on a white-pigmented acetate base called Agfachrome CU 410.28 Only available to a few photofinishers in Germany, it was used to print amateurs’ ...

1 Image

Agfachrome

Subtractive 3 color: Chromogenic monopack, reversal, small gauge

2 Images

Agfa-Gevaert

Subtractive 3 color

Agfa negative XT 320

Subtractive 3 color: Chromogenic monopack, Tungsten, twin silver halides

Agfa negative XT 125

Subtractive 3 color: Chromogenic monopack, Tungsten, twin silver halides

Agfa bipack films

Subtractive 2 color: Bi-pack
AGFA BIPACK FILM The front film is orthochromatic and sensitive, therefore, to green and blue. The rear film is panchromatic and records red-orange only, there being a red-orange filter on the orthochromatic emulsion. In fact, this is a bipack of the ...

11 Images in 1 Gallery

3M Posi-Tone

Subtractive 3 color: dye destruction process, silver dye-bleach, still photography
“In 1956, after the failure of the French venture, Gaspar resumed his own production of printing materials and chemicals (Koshofer 1981a). In the late 1950s he entered into an agreement with 3M Company of St. Paul, Minnesota, to explore the ...

3M Color Positive, type 651

Subtractive 3 color: Chromogenic monopack

3M Color Positive, type 650

Subtractive 3 color: Chromogenic monopack

3M Color Positive Film

Subtractive 3 color: Chromogenic monopack

4 Images