Subtractive 3 color: dye diffusion process, still photography
“The company also launched its first peel-apart color print films, Fuji FP-100 and Fuji FP-800, which were compatible with Polaroid cameras and camera backs. The image formation of the new peel-apart films was similar to that of Fuji integral ...
Kodachrome 200 Professional Film (PKL) is a color reversal film with an ISO speed of 200, intended for exposure with daylight or electronic flash. Kodachrome films are designed for the K-14 process, a complex process which uses external couplers.
Kodak Ektachrome 100 Plus Professional Film is a fine-grain color reversal film. With an ISO speed of 100, it is designed for use in daylight or with electronic flash. It combines high color saturation with dependable neutral tones.
Kodak Ektachrome 64T Professional Film is a color reversal film. With an ISO speed of 64, it is designed for exposure with tungsten illumination (3200 K).
Subtractive 3 color: chromogenic monopack, reversal, 35 mm
Fujichrome Velvia [RVP] is a daylight-type color reversal film with a speed of ISO 50 by the Fujifilm Corporation. Its successor is Fujichrome Velvia 50, which was released in March 2007.
Subtractive 4 color: pigment process, still photography
“Berger then started to work with the master carbro printer Richard Newmark Kauffman (1916−1998), and together they founded Ultrastable Color Systems, Inc. In 1992 they introduced presensitized UltraStable material for four-color carbon ...
Pénichon, Sylvie (2013): Twentieth Century Colour Photographs. The Complete Guide to Processes, Identification & Preservation. London, Los Angeles: Thames & Hudson, p. 95.
Subtractive 4 color: pigment process, still photography
“Also during the 1990s, William (Bill) Nordstrom started to experiment with a carbon process called Agfa-Proof, a four-color proprietary prepress color proofing system. He founded the EverColor Corporation in El Dorado Hills, California, in ...
Pénichon, Sylvie (2013): Twentieth Century Colour Photographs. The Complete Guide to Processes, Identification & Preservation. London, Los Angeles: Thames & Hudson, p. 96.