Busch Farbenfilm

Additive 2 color: Beam-splitter, red-green

5 Images in 1 Gallery

Polacolor Instant Photography

instant still photography
“Polacolor was commercialized in 1963 and became an immediate success. It was acclaimed as the “most outstanding single advance in photographic science made during this century” (Crawley 1963). Indeed, Polacolor introduced important new ...

Caille

Additive three-color: line screen, still photography
Process for still photography in which light is filtered through a screen or transparent plate covered in lines or dots in the primary colors orange, green and violet. For the positive, the process relies on a support material which includes an ...

Eastman Ektachrome 7251

Subtractive 3 color: Chromogenic monopack, high speed, color reversal, 16mm, daylight

Eastman Color Print Film 5384 / 7384

Subtractive 3 color: Chromogenic monopack

Eastman Color High Speed Negative Film 7292

Subtractive 3 color: Chromogenic monopack

Eastman Color Print Film 5381 (1950)

Subtractive 3 color: Chromogenic monopack
Not to be confused with the Eastman Color Print Film 5381 / 7381 from 1970.

Eastman Color Internegative Film 5243

Subtractive 3 color: Chromogenic monopack

Eastman Color Internegative Film 5245

Subtractive 3 color: Chromogenic monopack

Eastman Color Print Film 5382 / 7382

Subtractive 3 color: Chromogenic monopack

Eastman Television Recording Film 5374 / 7374

Subtractive 3 color: Chromogenic monopack

Eastman Reversal Color Print Film Type 5269 / 7387

Subtractive 3 color: Chromogenic monopack, reversal
Eastman Kodak reversal film duplication stock for (semi)professional use. Replaced Type 5265. Type 7387 introduced in 1964 as improved version. Difficult to see the difference (BL).

Eastman Color Internegative Film 5270 / 7270

Subtractive 3 color: Chromogenic monopack

Eastman Color Intermedeate Film 5253

Subtractive 3 color: Chromogenic monopack

Eastman Color Print Film 7383

Subtractive 3 color: Chromogenic monopack

Eastman Color Print Film 5385 / 7385

Subtractive 3 color: Chromogenic monopack

Eastman RP Negative Film 7229

Subtractive 3 color: Chromogenic monopack

Eastman Reversal Print Film 7387

Subtractive 3 color: Chromogenic monopack, reversal, 16 mm

Eastman Color Print Film 5744

Subtractive 3 color: Chromogenic monopack

Eastman Color Print Film 7380

Subtractive 3 color: Chromogenic monopack, 16mm

Eastman Direct MP Film 5360 / 7360

Subtractive 3 color: Chromogenic monopack

Eastman Color Reversal Intermedeate Film 5249 / 7249

Subtractive 3 color: Chromogenic monopack, reversal

Eastman Color SP Print Film 5383 / 7383

Subtractive 3 color: Chromogenic monopack

Eastman Color SP Low Contrast (minus 25%) Print Film 5738 / 7738

Subtractive 3 color: Chromogenic monopack

Eastman Color LF Print Film 7378

Subtractive 3 color: Chromogenic monopack, 16mm

Eastman Color LFSP Film 7379

Subtractive 3 color: Chromogenic monopack, 16mm

Eastman Color II Negative, type 5247 / 7247 F

Subtractive 3 color: Chromogenic monopack

Eastman Color II Internegative Film 5272 / 7272 S

Subtractive 3 color: Chromogenic monopack

Eastman Color Negative Film 7291

Subtractive 3 color: Chromogenic monopack, Tungsten, 100 ASA

Eastman Color LC Print Film 5380 / 7380

Subtractive 3 color: Chromogenic monopack

Eastman Fine Grain Release Positive Film 5302 / 7302

Subtractive 3 color: Chromogenic monopack

Eastman EXR 100T Color Negative Film 7248

Subtractive 3 color: Chromogenic monopack, 16mm

Eastman EXR 50D Color Negative Film 5245 / 7245

Subtractive 3 color: Chromogenic monopack

Eastman EXR 500T Color Negative Film 5296

Subtractive 3 color: Chromogenic monopack

Eastman EXR 100T Color Negative Film 5248

Subtractive 3 color: Chromogenic monopack, Tungsten, 100 ASA

Eastman EXR 500T Color Negative Film 7296

Subtractive 3 color: Chromogenic monopack, 16mm

Eastman EXR Color Intermediate Film 5244 / 7244

Subtractive 3 color: Chromogenic monopack

Eastman EXR 200T Color Negative Film 5293 / 7293

Subtractive 3 color: Chromogenic monopack

Experimental Eastman Separation Film (5238)

Subtractive 3 color: Chromogenic monopack

Eastman EXR Color Print Film 5386 / 7386

Subtractive 3 color: Chromogenic monopack

Eastman Color LC Print Film 5385 / 7385

Subtractive 3 color: Chromogenic monopack

Eastman EXR 500T 5298 / 7298 (T)

Subtractive 3 color: Chromogenic monopack

Eastman EXR 200T 5287 / 7287 Ultra Latitude (W)

Subtractive 3 color: Chromogenic monopack, Tungsten, 200 ASA

Eastman EXR Primetime 640T Teleproduction Film 5600 (P)

Subtractive 3 color: Chromogenic monopack, Tungsten, 650 ASA

Kodak Vision 320T Color Negative Film 5277 / 7277 (Q)

Subtractive 3 color: Chromogenic monopack, Tungsten, 320 ASA

Kodak Vision 500T Color Negative Film 5279 / 7279 (U)

Subtractive 3 color: Chromogenic monopack, Tungsten, 500 ASA

Eastman Color Intermediate Film 5253 / 7253

Subtractive 3 color: Chromogenic monopack

Eastman Color Internegative Film 5271 / 7271

Subtractive 3 color: Chromogenic monopack

Eastman Color Print Film 5381 / 7381 (1970)

Subtractive 3 color: Chromogenic monopack
Not to be confused with the Eastman Color Print Film 5381 from 1950.

Eastman Color Print Film 5281 / 7281

Subtractive 3 color: Chromogenic monopack

Eastman Panchromatic Separation Film 5216

Black and white panchromatic film: Three-color separation positives from color negatives

Eastman Panchromatic Separation Film 5235

Black and white panchromatic film: Three-color separation positives from color negatives

Kodak Vision 250D Color Negative Film 5246 / 7246

Subtractive 3 color: Chromogenic monopack, daylight, 250 ASA

Kodak Vision 200T Color Negative Film 5274 / 7274

Subtractive 3 color: Chromogenic monopack, Tungsten, 200 ASA

Eastman Special Order Print Film SO-886

Subtractive 3 color: Chromogenic monopack

Kodak Vision Color Print Film 2383

Subtractive 3 color: Chromogenic monopack

Kodak Vision Premiere Color Print Film 2393

Subtractive 3 color: Chromogenic monopack

Kodak Vision 800T Color Negative Film 5289

Subtractive 3 color: Chromogenic monopack, Tungsten, 800 ASA

Kodak Vision Color Intermediate Film 2242 / 3242

Subtractive 3 color: Chromogenic monopack

Kodak Vision 800T Color Negative Film 7289

Subtractive 3 color: Chromogenic monopack, 16mm, Tungsten, 800 ASA

Kodak Panchromatic Separation Film 2238

Black and white panchromatic film: Three-color separation positives from color negatives

Kodak Vision "Expression" 500T Color Negative Film 5284 / 7284

Subtractive 3 color: Chromogenic monopack, Tungsten, 500 ASA

Kodak Vision 500T Color Negative Film 5263 / 7263

Subtractive 3 color: Chromogenic monopack, Tungsten, 500 ASA

Kodak Vision2 500T Color Negative Film 5218 / 7218

Subtractive 3 color: Chromogenic monopack, 35 mm, 16 mm, 8 mm, Tungsten, 500 ASA

Kodak Vision2 "Expression" 500T Color Negative Film 5229 / 7229

Subtractive 3 color: Chromogenic monopack, Tungsten, 500 ASA

Kodak Vision2 250D Color Negative Film 5205 / 7205

Subtractive 3 color: Chromogenic monopack, daylight, 250 ASA

Kodak Vision2 100T Color Negative Film 5212 / 7212

Subtractive 3 color: Chromogenic monopack

Kodak Vision2 200T Color Negative Film 5217 / 7217

Subtractive 3 color: Chromogenic monopack, 35 mm, 16 mm, 8 mm, Tungsten, 200 ASA

Kodak Vision2 50D Color Negative Film 5201 / 7201

Subtractive 3 color: Chromogenic monopack, daylight, 50 ASA

Kodak Vision2 "HD Color Scan Film" 500T Color Negative Film 5299 / 7299

Subtractive 3 color: Chromogenic monopack, Tungsten, 500 ASA

Kodak Vision3 500T Color Negative Film 5219 / 7219

Subtractive 3 color: Chromogenic monopack, Tungsten, 500 ASA

Kodak Vision2 500T Color Negative Film 5260

Subtractive 3 color: Chromogenic monopack, Tungsten, 500 ASA

Kodak Vision3 250D Color Negative Film 5207 / 7207

Subtractive 3 color: Chromogenic monopack, daylight, 250 ASA

Kodak Vision3 Color Digital Intermediate Film 5254 / 2254

Subtractive 3 color: Chromogenic monopack

Kodak Vision3 50D Color Negative Film 5203 / 7203

Subtractive 3 color: Chromogenic monopack, daylight, 50 ASA

Kodak Color Asset Protection Film 2332

Subtractive 3 color: Chromogenic monopack

Eastman Color Intermediate Film 2244

Subtractive 3 color: Chromogenic monopack

Kodak EXR Primetime 640T Teleproduction Film 5620 / 7620

Subtractive 3 color: Chromogenic monopack

Kodak SFX 200T Color Negative Film

Subtractive 3 color: Chromogenic monopack, 35 mm

Eastman EXR Color Print Film 2386 / 3386

Subtractive 3 color: Chromogenic monopack

Cinefotocolor

Subtractive 2 color: Bi-pack

Cinecolor additive 2 color / Cinecolour

Additive 2 color: Beam-splitter, substandard

2 Images

Americolor

Subtractive 2 color: Bi-pack, duplitized

Cinechrome

Additive 2 color: Prism, rotary filter, double-sized film
“[…] pictures were taken side by side, full-size, on double-width film, the film not only being perforated on the edges but also down the centre between the pairs of images.” (Klein, Adrian Bernhard = Cornwell-Clyne (1940): Colour ...

3 Images

Finlay

Additive 3 color: Regular mosaic screen, still photography

9 Images in 1 Gallery

Mondiacolor

Additive 3 color: Mosaic screen

Proposal of a variety of processes of three-color photography

Theory
Description of a variety of color processes, even for images in motion by the use of a rotary shutter.

Hydrotypie / Hydrotype / dye transfer

Subtractive 3 color: Dye transfer, still photography
“In the imbibition process, a dye image is transferred from a gelatin relief image to a receiving layer made either of paper or film. Charles Cros described this method of “hydrotypie” transfer printing in 1880 and suggested it ...

Dunning Color

Subtractive 3 color: Beam-splitter, double-coated

Bocca-Rudatis

Additive 3 color: lenticular screen
The procedure for obtaining the lenticular elements in relief required a series of steps: starting from three black and white positive color separations, obtained with any of the available methods, three matrices were printed, from which the film to ...

1 Image

Dye coupling

Subtractive 3 color: Chromogenic monopack
“One of the most elegant solutions to the problem of forming a colored image, lies in the utilization of the products formed by the action of the developer upon the latent image. By this means there is formed a dye image whose intensity follows ...

1 Image

Jumeaux/Davidson

Additive 3 color: Prism

2 Images

Gasparcolor OR Gaspar Color

Subtractive 3 color: Silver dye-bleach multilayer print film

Gasparcolor was the first three-color multi-layer monopack film available for practical use. It was a double-coated print film with a cyan layer on one side and two layers dyed magenta and yellow on the other side (see illustrations).

388 Images in 24 Galleries

Autochrome

Additive 3 color: Mosaic screen, still photography
“The Autochrome process was the first fully practical single-plate colour process to reach the photographic public. It was easy to use. The plate was loaded into a conventional holder, glass to the front. The exposure was made through a yellow ...

16 Images

Autochrome film / Cinécolor

Additive 3 color: Mosaic screen
Several attempts were made to apply the Autochrome process invented by the Lumière brothers to motion pictures. Transparent potato starch grains with a diameter of 15-20 were colored in the additive primaries red, green and blue. The spaces between ...

20 Images in 2 Galleries

Colorgraph / Cinecolorgraph

Subtractive 2 color: Beam-splitter, double-coated film
“The principle of the subtractive colour process was described first by Louis Ducos du Hauron in 1868. Although eminently suitable for colour motion pictures, the principle could not be applied until means were found of producing several colour ...

1 Image

Traube / Uvachrome

Subtractive 3 color: Mordanting, dye transfer, wash-off relief, still photography
“In the imbibition process, a dye image is transferred from a gelatin relief image to a receiving layer made either of paper or film. Charles Cros described this method of “hydrotypie” transfer printing in 1880 and suggested it ...

3 Images

Traube / Diachromie

Subtractive 3 color: Mordant toning, still photography
“In the imbibition process, a dye image is transferred from a gelatin relief image to a receiving layer made either of paper or film. Charles Cros described this method of “hydrotypie” transfer printing in 1880 and suggested it ...

Kingston Process

Additive three color process: rotary filters
Three black-and-white color separations were printed consecutively on one film strip and projected through the corresponding color filters, thus combining to one color image on screen.