Eastman Ektachrome Commercial Film 7252

Subtractive 3 color: Chromogenic monopack, 16 mm, Tungsten, 25 ASA

Eastman Ektachrome R Print Film 7389

Subtractive 3 color: Chromogenic monopack, 16mm

Eastman Ektachrome Reversal Print Film 7390 (SO-390)

Subtractive 3 color: Chromogenic monopack, 16mm reversal

Eastman Ektachrome Video News Film 7239

Subtractive 3 color: Chromogenic monopack, 16mm

Eastman Ektachrome High Speed Video News Film 7250

Subtractive 3 color: Chromogenic monopack, 16mm, Tungsten, 400 ASA

Eastman Ektachrome VN Print Film 7399

Subtractive 3 color: Chromogenic monopack, 16mm

Eastman Ektachrome Video News Film 7240

Subtractive 3 color: Chromogenic monopack

Eastman Ektachrome Commercial, type 7255

Subtractive 3 color: Chromogenic monopack, 16mm reversal

Kodachrome Color Reversal Film Type 5262

Subtractive 3 color: Chromogenic monopack, reversal, 16 mm
Although Kodachrome 16mm reversal film was introduced as an amateur film format, rapidly after its introduction it became a format frequently used by (semi-)professional film makers. The reason was that Kodachrome was a relatively easy to use film ...

Kodachrome Color Reversal Film 5265

Subtractive 3 color: Chromogenic monopack, reversal, 16 mm
Duplicating stock for reversal film. Replaced Kodachrome duplicating stock type 5262. Contrary to its predecessor the new stock was not suited as camera material. Type 5265 could only be used for duplication.

Kodachrome Professional Film Type 5267

Subtractive 3 color: Chromogenic monopack, reversal, 16 mm 35mm?
Kodachrome Professional was introduced in 1942 to be used as camera material. It was the Kodachrome material that was blown up to 35mm Technicolor dye transfer prints, which was the Technicolor Monopack system. According to Norris Pope this material ...

Kodachrome Commercial Type 5268

Subtractive 3 color: Chromogenic monopack, reversal, 16 mm
In 1946 Kodachrome Commercial camera film Type 5268 was introduced. This stock had a lower-contrast emulsion and became leading in the professional field until it was replaced by Ektachrome Commercial type 7255 in 1958. Both Commercial Kodachrome and ...

Eastman Color Print Film 7282

Subtractive 3 color: Chromogenic monopack, 16 mm

Eastman Ektachrome SM, type 7244

Subtractive 3 color: Chromogenic monopack, reversal, super 8

Eastman Ektachrome, type 5285 / 7285

Subtractive 3 color: Chromogenic monopack, reversal, daylight, 100 ASA

Kodak Vision Color Intermediate Film 5242 / 7242

Subtractive 3 color: Chromogenic monopack

Eastman Ektachrome, type A

Subtractive 3 color: Chromogenic monopack, reversal, super 8, Tungsten, 160 ASA

Kodachrome II

Subtractive 3 color: Chromogenic monopack, reversal, 16 mm, 25 to 40 ASA
Kodachrome II was introduced in 1961. It was the first film stock since 1936 that was specifically meant for amateur use. Eastman Kodak presented the material as superior to the ‘regular Kodachrome’. It supposedly had a higher speed of 25 ...

84 Images in 5 Galleries

Eastman Color Negative, type 3251

Subtractive 3 color: Chromogenic monopack

Agfacolor Negative

Subtractive 3 color: Chromogenic monopack, daylight

Agfacolor Negative, type 2

Subtractive 3 color: Chromogenic monopack, daylight

Agfacolor L

Subtractive 3 color: Chromogenic monopack
L stands for the Leverkusen brand of Agfacolor. N for negative, K for tungsten (Kunstlicht) and T for daylight (Tageslicht).

13 Images in 2 Galleries

Ferrania color / Ferraniacolor / 3M color

Subtractive 3 color: Chromogenic monopack

217 Images in 8 Galleries

Ferrania Type HS Color Release Positive

Subtractive 3 color: Chromogenic monopack

Ferraniacolor, type 54

Subtractive 3 color: Chromogenic monopack

Ferraniacolor Cine Universal

Subtractive 3 color: Chromogenic monopack

Fomacolor

Subtractive 3 color: Chromogenic monopack
A chromogenic process based on Agfacolor, see detail page Agfacolor Neu / Agfacolor.

18 Images

Fujicolor

Subtractive 3 color: Chromogenic monopack reversal (from 1949), negative/positive process (from 1955)
“The Fujicolor process is a three-color subtractive negative/positive process introduced in 1955 by the Fuji Photo Film Co., Ltd., Tokyo, Japan. When the process was introduced it consisted of two elements that could be used singly or together. ...

140 Images in 7 Galleries

Fujicolor Negative, type 8511

Subtractive 3 color: Chromogenic monopack

Fujicolor Negative, type 8512

Subtractive 3 color: Chromogenic monopack

Fujicolor Negative, type 8513

Subtractive 3 color: Chromogenic monopack

Fujicolor Negative, type 8514

Subtractive 3 color: Chromogenic monopack

Fujicolor Negative, type 8515

Subtractive 3 color: Chromogenic monopack

Fujicolor Negative, type 8516

Subtractive 3 color: Chromogenic monopack

Fujicolor Negative A 250, type 8518

Subtractive 3 color: Chromogenic monopack

Fujicolor Negative A, type 8517

Subtractive 3 color: Chromogenic monopack

Fujicolor Negative A, type 8511

Subtractive 3 color: Chromogenic monopack

Fujicolor Negative High Speed AX, type 8512

Subtractive 3 color: Chromogenic monopack

Fujicolor Negative AX, type 8514

Subtractive 3 color: Chromogenic monopack, 35 mm, 16 mm, Tungsten, 500 ASA

Fuji F-Series 8510 / 8610 F64T

Subtractive 3 color: Chromogenic monopack, Tungsten, 64 ASA

Fuji F-Series 8520 / 8620 F64D

Subtractive 3 color: Chromogenic monopack, daylight, 64 ASA

Fuji F-Series 8530 / 8630 125T

Subtractive 3 color: Chromogenic monopack, Tungsten, 125 ASA

Fuji F-Series 8550 / 8650 F250T

Subtractive 3 color: Chromogenic monopack, Tungsten, 250 ASA

Fuji F-Series 8560 / 8660 F-250D

Subtractive 3 color: Chromogenic monopack, daylight, 250 ASA

Fuji F-Series 8570 / 8670 F-500T

Subtractive 3 color: Chromogenic monopack, Tungsten, 500 ASA

Fujicolor Positive Film F-CP 3519

Subtractive 3 color: Chromogenic monopack

Fujicolor Positive Film F-CP 3519D

Subtractive 3 color: Chromogenic monopack

Fuji Reala 500D 8592 / 8692

Fujicolor Positive Film Super F-CP 3510 / 3610

Subtractive 3 color: Chromogenic monopack

Fujicolor Positive Film Super F-CP 3510 / 3610

Subtractive 3 color: Chromogenic monopack

Fujicolor Positive Film Eterna-CP 3513DI / 3613DI

Subtractive 3 color: Chromogenic monopack

Fuji Eterna 500T 8573 / 8673

Subtractive 3 color: Chromogenic monopack, Tungsten, 500 ASA

Fuji Eterna 400T 8583 / 8683

Subtractive 3 color: Chromogenic monopack, Tungsten, 400 ASA

Fuji Eterna 250D 8563 / 8663

Subtractive 3 color: Chromogenic monopack, daylight, 250 ASA

Fuji Eterna 250T 8553 / 8653

Subtractive 3 color: Chromogenic monopack, Tungsten, 250 ASA

Fuji Eterna Vivid 160T 8543 / 8643

Subtractive 3 color: Chromogenic monopack, Tungsten, 160 ASA

Fujicolor Positive Film Eterna-CP 3521XD

Subtractive 3 color: Chromogenic monopack

Fuji Eterna Vivid 500T 8547 / 8647

Subtractive 3 color: Chromogenic monopack, Tungsten, 500 ASA

Fuji Eterna Vivid 250D 8546 / 8646

Subtractive 3 color: Chromogenic monopack, daylight, 250 ASA

Fujicolor Positive Film Eterna-CP 3514DI / 3614DI

Subtractive 3 color: Chromogenic monopack

Fujicolor Positive Film Eterna-CP 3523XD

Subtractive 3 color: Chromogenic monopack

Fujicolor Positive Film Eterna-CP 3512 / 3612

Subtractive 3 color: Chromogenic monopack

Fujicolor Positive, type 8818

Subtractive 3 color: Chromogenic monopack
See also Fujicolor.

Fujicolor Positive, type 8819

Subtractive 3 color: Chromogenic monopack
See also Fujicolor.

Gevacolor Negative

Subtractive 3 color: Chromogenic monopack

4 Images in 1 Gallery

Gevaert Positif Color

Applied colors: Pretinted film

Gevacolor T 6 51

Subtractive 3 color: Chromogenic monopack

Gevacolor T 6 52

Subtractive 3 color: Chromogenic monopack

Gevacolor T 6 53

Subtractive 3 color: Chromogenic monopack

Gevacolor T 6 54

Subtractive 3 color: Chromogenic monopack

Gevacolor T 6 55

Subtractive 3 color: Chromogenic monopack

Gevacolor T 6 80

Subtractive 3 color: Chromogenic monopack

Gevacolor T 6 82

Subtractive 3 color: Chromogenic monopack

Gevacolor Positive Film T 9 53

Subtractive 3 color: Chromogenic monopack

Cox Multicolor

Additive 2 color: Rotary filter

Indu Colour

Subtractive 3 color: Chromogenic monopack

2 Images

Agfacolor Negative type B

Subtractive 3 color: Chromogenic monopack, daylight
For more information on the Agfacolor process see the detail page Agfacolor Neu / Agfacolor.

21 Images

Agfacolor Negative type G

Subtractive 3 color: Chromogenic monopack, Tungsten

Agfacolor Negative type G was a chromogenic camera negative balanced for Tungsten illumination.

14 Images in 2 Galleries

Agfacolor Negative type B2

Subtractive 3 color: Chromogenic monopack, daylight
For more information on the Agfacolor chromogenic process see Agfacolor Neu / Agfacolor.

37 Images in 2 Galleries

Agfacolor Negative type G2

Subtractive 3 color: Chromogenic monopack, Tungsten

Kislyn color

Additive 3 color: Lenticular screen

1 Image

Sakuracolor

Subtractive 3 color: Chromogenic monopack, reversal

Cinekrome

Additive 2 color: Beam-splitter

Lignose Naturfarbenfilm

Additive 3 color: Mosaic screen

2 Images

DuPont Vitacolor

Additive 2 color: Rotary filter, 16mm

Mroz Farbenfilm

Additive 2 color: Alternately stained images, 9.5 and possibly 16 mm

Multicolor

Subtractive 2 color: Bi-pack, duplitized
“In the Multicolor (two-color) subtractive process, two negative films are run simultaneously through any standard camera with their emulsion surfaces in contact. The front negative is orthochromatic, with the surface layer dyed orange-red to ...

66 Images in 6 Galleries

Pathécolor / Pathéchrome / stencil coloring

Applied colors: Stencil, dyed gelatin
Stencil coloring required the manual cutting, frame by frame, of the area which was to be tinted onto another identical print, one for each color. Usually the number of colors applied ranged from 3 to 6. The process was highly improved by the ...

2162 Images in 73 Galleries

Coloratura

Subtractive 2 color: Bi-pack, dupitized positive, toned
“Coloratura. This is the process of Pathé Exchange at Bound Brook, N. J. Negatives are made by the bi-pack method. Prints are made on double-sided film and are dye-toned on one side and metallic-toned on the other. The double-sided film, ...

Photocolor

Subtractive 2 color: Beam-splitter, double-coated

42 Images

Polavision

Diffusion: Line screen, super-8 mm

13 Images

Polachrome

35mm Slide Film

4 Images in 1 Gallery

Sennett Color

Subtractive 2 color: Bi-pack, double coated, toned
“Public showings of the work done at this plant in Hollywood have been given to Los Angeles audiences. The release prints are made on double sided film. Both sides are developed at one time and then toned red on one side and bluegreen on the ...

18 Images in 1 Gallery

Bassani

Additive 3 color: Successive exposure, 72 fps
“Camera.—An interesting camera has been made by the Société Chromofilm, Paris. An astonishing mechanism moves the entire gate, and film within it, at each exposure, with reference to the normal fixed objective. Three miniature negatives are ...

3 Images in 1 Gallery

Opticolor

Additive 3 color: Lenticular screen

Francita-Reality / Francita / Opticolor / Realita

Additive 3 color: Beam-splitter and rotary fllter, substandard

9 Images in 1 Gallery

Thomson Color

Additive 3 color: Lenticular screen

3 Images

Splendicolor

Subtractive 3 color: Beam-splitter, double-coated film, bichromated gelatin, Pinatype

Svema LN-1

Subtractive 3 color: Chromogenic monopack

Svema DS-1

Subtractive 3 color: Chromogenic monopack