Eastman Color Print Film 5281 / 7281

Subtractive 3 color: Chromogenic monopack

Eastman Panchromatic Separation Film 5216

Black and white panchromatic film: Three-color separation positives from color negatives

Eastman Panchromatic Separation Film 5235

Black and white panchromatic film: Three-color separation positives from color negatives

Kodak Vision 250D Color Negative Film 5246 / 7246

Subtractive 3 color: Chromogenic monopack, daylight, 250 ASA

Kodak Vision 200T Color Negative Film 5274 / 7274

Subtractive 3 color: Chromogenic monopack, Tungsten, 200 ASA

Eastman Special Order Print Film SO-886

Subtractive 3 color: Chromogenic monopack

Kodak Vision Color Print Film 2383

Subtractive 3 color: Chromogenic monopack

Kodak Vision Premiere Color Print Film 2393

Subtractive 3 color: Chromogenic monopack

Kodak Vision 800T Color Negative Film 5289

Subtractive 3 color: Chromogenic monopack, Tungsten, 800 ASA

Kodak Vision Color Intermediate Film 2242 / 3242

Subtractive 3 color: Chromogenic monopack

Kodak Vision 800T Color Negative Film 7289

Subtractive 3 color: Chromogenic monopack, 16mm, Tungsten, 800 ASA

Kodak Panchromatic Separation Film 2238

Black and white panchromatic film: Three-color separation positives from color negatives

Kodak Vision "Expression" 500T Color Negative Film 5284 / 7284

Subtractive 3 color: Chromogenic monopack, Tungsten, 500 ASA

Kodak Vision 500T Color Negative Film 5263 / 7263

Subtractive 3 color: Chromogenic monopack, Tungsten, 500 ASA

Kodak Vision2 500T Color Negative Film 5218 / 7218

Subtractive 3 color: Chromogenic monopack, 35 mm, 16 mm, 8 mm, Tungsten, 500 ASA

Kodak Vision2 "Expression" 500T Color Negative Film 5229 / 7229

Subtractive 3 color: Chromogenic monopack, Tungsten, 500 ASA

Kodak Vision2 250D Color Negative Film 5205 / 7205

Subtractive 3 color: Chromogenic monopack, daylight, 250 ASA

Kodak Vision2 100T Color Negative Film 5212 / 7212

Subtractive 3 color: Chromogenic monopack

Kodak Vision2 200T Color Negative Film 5217 / 7217

Subtractive 3 color: Chromogenic monopack, 35 mm, 16 mm, 8 mm, Tungsten, 200 ASA

Kodak Vision2 50D Color Negative Film 5201 / 7201

Subtractive 3 color: Chromogenic monopack, daylight, 50 ASA

Kodak Vision2 "HD Color Scan Film" 500T Color Negative Film 5299 / 7299

Subtractive 3 color: Chromogenic monopack, Tungsten, 500 ASA

Kodak Vision3 500T Color Negative Film 5219 / 7219

Subtractive 3 color: Chromogenic monopack, Tungsten, 500 ASA

Kodak Vision2 500T Color Negative Film 5260

Subtractive 3 color: Chromogenic monopack, Tungsten, 500 ASA

Kodak Vision3 250D Color Negative Film 5207 / 7207

Subtractive 3 color: Chromogenic monopack, daylight, 250 ASA

Kodak Vision3 Color Digital Intermediate Film 5254 / 2254

Subtractive 3 color: Chromogenic monopack

Kodak Vision3 50D Color Negative Film 5203 / 7203

Subtractive 3 color: Chromogenic monopack, daylight, 50 ASA

Kodak Color Asset Protection Film 2332

Subtractive 3 color: Chromogenic monopack

Eastman Color Intermediate Film 2244

Subtractive 3 color: Chromogenic monopack

Kodak EXR Primetime 640T Teleproduction Film 5620 / 7620

Subtractive 3 color: Chromogenic monopack

Kodak SFX 200T Color Negative Film

Subtractive 3 color: Chromogenic monopack, 35 mm

Eastman EXR Color Print Film 2386 / 3386

Subtractive 3 color: Chromogenic monopack

Cinefotocolor

Subtractive 2 color: Bi-pack

Cinecolor additive 2 color / Cinecolour

Additive 2 color: Beam-splitter, substandard

2 Images

Americolor

Subtractive 2 color: Bi-pack, duplitized

Cinechrome

Additive 2 color: Prism, rotary filter, double-sized film
“[…] pictures were taken side by side, full-size, on double-width film, the film not only being perforated on the edges but also down the centre between the pairs of images.” (Klein, Adrian Bernhard = Cornwell-Clyne (1940): Colour ...

3 Images

Finlay

Additive 3 color: Regular mosaic screen, still photography

9 Images in 1 Gallery

Mondiacolor

Additive 3 color: Mosaic screen

Proposal of a variety of processes of three-color photography

Theory
Description of a variety of color processes, even for images in motion by the use of a rotary shutter.

Hydrotypie / Hydrotype / dye transfer

Subtractive 3 color: Dye transfer, still photography
“In the imbibition process, a dye image is transferred from a gelatin relief image to a receiving layer made either of paper or film. Charles Cros described this method of “hydrotypie” transfer printing in 1880 and suggested it ...

Dunning Color

Subtractive 3 color: Beam-splitter, double-coated

Bocca-Rudatis

Additive 3 color: lenticular screen
The procedure for obtaining the lenticular elements in relief required a series of steps: starting from three black and white positive color separations, obtained with any of the available methods, three matrices were printed, from which the film to ...

1 Image

Dye coupling

Subtractive 3 color: Chromogenic monopack
“One of the most elegant solutions to the problem of forming a colored image, lies in the utilization of the products formed by the action of the developer upon the latent image. By this means there is formed a dye image whose intensity follows ...

1 Image

Jumeaux/Davidson

Additive 3 color: Prism

2 Images

Gasparcolor OR Gaspar Color

Subtractive 3 color: Silver dye-bleach multilayer print film

Gasparcolor was the first three-color multi-layer monopack film available for practical use. It was a double-coated print film with a cyan layer on one side and two layers dyed magenta and yellow on the other side (see illustrations).

401 Images in 24 Galleries

Autochrome

Additive 3 color: Mosaic screen, still photography
“The Autochrome process was the first fully practical single-plate colour process to reach the photographic public. It was easy to use. The plate was loaded into a conventional holder, glass to the front. The exposure was made through a yellow ...

16 Images

Autochrome film / Cinécolor

Additive 3 color: Mosaic screen
Several attempts were made to apply the Autochrome process invented by the Lumière brothers to motion pictures. Transparent potato starch grains with a diameter of 15–20 micrometer were colored in the additive primaries red, green and blue. The ...

27 Images in 2 Galleries

Colorgraph / Cinecolorgraph

Subtractive 2 color: Beam-splitter, double-coated film
“The principle of the subtractive colour process was described first by Louis Ducos du Hauron in 1868. Although eminently suitable for colour motion pictures, the principle could not be applied until means were found of producing several colour ...

1 Image

Traube / Uvachrome

Subtractive 3 color: Mordanting, dye transfer, wash-off relief, still photography
“In the imbibition process, a dye image is transferred from a gelatin relief image to a receiving layer made either of paper or film. Charles Cros described this method of “hydrotypie” transfer printing in 1880 and suggested it ...

3 Images

Traube / Diachromie

Subtractive 3 color: Mordant toning, still photography
“In the imbibition process, a dye image is transferred from a gelatin relief image to a receiving layer made either of paper or film. Charles Cros described this method of “hydrotypie” transfer printing in 1880 and suggested it ...