“Around 1975, Fuji Photo Film Company introduced Fuji Dyecolor, a dye imbibition printing service available only in Japan. A feature of the process was that the transfer of the dyes was done automatically in a special rotary machine developed ...
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“The Fujicolor process is a three-color subtractive negative/positive process introduced in 1955 by the Fuji Photo Film Co., Ltd., Tokyo, Japan.
When the process was introduced it consisted of two elements that could be used singly or together. ...
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Don't Look Now (GBR / ITA 1973, Nicolas Roeg). Credit: BFI National Film Archive. Photographs of the faded Fujicolor HP Positive Film Type 8813 by Joëlle Kost, ERC Advanced Grant FilmColors.
141 Images in 7 Galleries
A chromogenic process based on Agfacolor, see detail page Agfacolor Neu / Agfacolor.
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Credit: Národní filmový archiv / National Film Archive, Prague. Film: Jen počkej X (Nu, pogodi!) (Vjačeslav Kotěnočkin, USSR, 1976).
- Credit: Národní filmový archiv / National Film Archive, Prague. Film: Jen počkej X (Nu, pogodi!) (Vjačeslav Kotěnočkin, USSR, 1976).
- Credit: Národní filmový archiv / National Film Archive, Prague. Film: Jen počkej X (Nu, pogodi!) (Vjačeslav Kotěnočkin, USSR, 1976).
- Credit: Národní filmový archiv / National Film Archive, Prague. Film: Jen počkej X (Nu, pogodi!) (Vjačeslav Kotěnočkin, USSR, 1976).
- Credit: Národní filmový archiv / National Film Archive, Prague. Film: Jen počkej X (Nu, pogodi!) (Vjačeslav Kotěnočkin, USSR, 1976).
- Credit: Národní filmový archiv / National Film Archive, Prague. Film: Jen počkej X (Nu, pogodi!) (Vjačeslav Kotěnočkin, USSR, 1976).
- Credit: Národní filmový archiv / National Film Archive, Prague. Film: Jak se Žofka postarala o svatbu (Adolf Born, Jaroslav Doubrava, Miloš Macourek, Czechoslovakia 1988).
- Credit: Národní filmový archiv / National Film Archive, Prague. Film: Jak se Žofka postarala o svatbu (Adolf Born, Jaroslav Doubrava, Miloš Macourek, Czechoslovakia 1988).
- Credit: Národní filmový archiv / National Film Archive, Prague. Film: Jak se Žofka postarala o svatbu (Adolf Born, Jaroslav Doubrava, Miloš Macourek, Czechoslovakia 1988).
- Credit: Národní filmový archiv / National Film Archive, Prague. Film: Jak se Žofka postarala o svatbu (Adolf Born, Jaroslav Doubrava, Miloš Macourek, Czechoslovakia 1988).
- Credit: Národní filmový archiv / National Film Archive, Prague. Film: Jak se Žofka postarala o svatbu (Adolf Born, Jaroslav Doubrava, Miloš Macourek, Czechoslovakia 1988).
- Credit: Národní filmový archiv / National Film Archive, Prague. Film: Jak se Žofka postarala o svatbu (Adolf Born, Jaroslav Doubrava, Miloš Macourek, Czechoslovakia 1988).
- Credit: Národní filmový archiv / National Film Archive, Prague. Film: Jak se Žofka postarala o svatbu (Adolf Born, Jaroslav Doubrava, Miloš Macourek, Czechoslovakia 1988).
- Eastmancolor negative on Fomacolor positive. Credit: Národní filmový archiv / National Film Archive, Prague. Film: Slunečná laguna (Mirko Kačena, Czechoslovakia 1990).
- Eastmancolor negative on Fomacolor positive. Credit: Národní filmový archiv / National Film Archive, Prague. Film: Slunečná laguna (Mirko Kačena, Czechoslovakia 1990).
- Eastmancolor negative on Fomacolor positive. Credit: Národní filmový archiv / National Film Archive, Prague. Film: Slunečná laguna (Mirko Kačena, Czechoslovakia 1990).
- Eastmancolor negative on Fomacolor positive. Credit: Národní filmový archiv / National Film Archive, Prague. Film: Slunečná laguna (Mirko Kačena, Czechoslovakia 1990).
- Eastmancolor negative on Fomacolor positive. Credit: Národní filmový archiv / National Film Archive, Prague. Film: Slunečná laguna (Mirko Kačena, Czechoslovakia 1990).
18 Images
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Faded Ferraniacolor positive from Eastmancolor negative, anamorphic (1:2,35). Credit: Národní filmový archiv / National Film Archive, Prague. Film: Smrt v sedle (Jindřich Polák, Czechoslovakia 1958).
- Faded Ferraniacolor positive from Eastmancolor negative, anamorphic (1:2,35). Credit: Národní filmový archiv / National Film Archive, Prague. Film: Smrt v sedle (Jindřich Polák, Czechoslovakia 1958).
- Faded Ferraniacolor positive from Eastmancolor negative, anamorphic (1:2,35). Credit: Národní filmový archiv / National Film Archive, Prague. Film: Smrt v sedle (Jindřich Polák, Czechoslovakia 1958).
- Faded Ferraniacolor positive from Eastmancolor negative, anamorphic (1:2,35). Credit: Národní filmový archiv / National Film Archive, Prague. Film: Smrt v sedle (Jindřich Polák, Czechoslovakia 1958).
- Faded Ferraniacolor positive from Eastmancolor negative, anamorphic (1:2,35). Credit: Národní filmový archiv / National Film Archive, Prague. Film: Smrt v sedle (Jindřich Polák, Czechoslovakia 1958).
- Faded Ferraniacolor positive from Eastmancolor negative, anamorphic (1:2,35). Credit: Národní filmový archiv / National Film Archive, Prague. Film: Smrt v sedle (Jindřich Polák, Czechoslovakia 1958).
- Faded Ferraniacolor positive from Eastmancolor negative, anamorphic (1:2,35). Credit: Národní filmový archiv / National Film Archive, Prague. Film: Smrt v sedle (Jindřich Polák, Czechoslovakia 1958).
217 Images in 8 Galleries
L stands for the Leverkusen brand of Agfacolor. N for negative, K for tungsten (Kunstlicht) and T for daylight (Tageslicht).
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Credit: By courtesy of Deutsche Kinemathek, Berlin. Photograph by Barbara Flueckiger. Film: Commercial Denkt rechtzeitig daran (GER 1952).
- Credit: By courtesy of Deutsche Kinemathek, Berlin. Photograph by Barbara Flueckiger. Film: 1/50 Sekunde, commercial for Niggemeyer Foto/Kino (1952).
13 Images in 2 Galleries
“The Eastman Colour Films are multilayer films of the type in which the layers are not separated after exposure. Films of this class are known as Multilayer, Monopack or Integral Tripack. “Multilayer” is descriptive not only of this ...
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Alien (USA 1979, Ridley Scott). Credit: Library of Congress. Photographs of the Eastman Color Print Film from 1979 by Joëlle Kost, ERC Advanced Grant FilmColors.
- Photomicrograph of modern chromogenic stock, . Credit: Silvana Konermann.
- Eastman Color chromogenic monopack. Source: Craig, G.J. (1953): Eastman Colour Films for Professional Motion Picture Work. In: British Kinematography, 22,5, 1953, pp. 146-158.
- Color fading of Eastmancolor stock. Credit: Collection Gert Koshofer, Bergisch Gladbach (Germany). Source: Schultze, Werner (1953): Farbenphotographie und Farbenfilm. Wissenschaftliche Grundlagen und technische Gestaltung. Berlin: Springer.
- Color reconstruction by Rudolf Gschwind, University of Basel. Credit: Collection Gert Koshofer, Bergisch Gladbach (Germany).
- Color fading of Eastmancolor stock.
- Source: Schultze, Werner (1953): Farbenphotographie und Farbenfilm. Wissenschaftliche Grundlagen und technische Gestaltung. Berlin/Göttingen /Heidelberg: Springer-Verlag. Photograph by Martin Weiss, ERC Advanced Grant FilmColors.
- Source: Schultze, Werner (1953): Farbenphotographie und Farbenfilm. Wissenschaftliche Grundlagen und technische Gestaltung. Berlin/Göttingen /Heidelberg: Springer-Verlag. Photograph by Martin Weiss, ERC Advanced Grant FilmColors.
707 Images in 23 Galleries
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Cross section of Ektachrome Commercial, Type 7255. Scource: Groet, N. H./Liberman, M./ Richey, F. (1959): An Improved Professional 16mm Reversal Camera Film. In: JSMPTE, Vol. 68, January 1959, p. 9.
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Timeline of Historical Film Colors by Barbara Flueckiger is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Quote as Flueckiger, Barbara (2012 ff.): Timeline of Historical Film Colors. (= https://filmcolors.org/).
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