Kodak Vision2 "HD Color Scan Film" 500T Color Negative Film 5299 / 7299

Subtractive 3 color: Chromogenic monopack, Tungsten, 500 ASA

Kodak Vision3 500T Color Negative Film 5219 / 7219

Subtractive 3 color: Chromogenic monopack, Tungsten, 500 ASA

Kodak Vision2 500T Color Negative Film 5260

Subtractive 3 color: Chromogenic monopack, Tungsten, 500 ASA

Kodak Vision3 250D Color Negative Film 5207 / 7207

Subtractive 3 color: Chromogenic monopack, daylight, 250 ASA

Kodak Vision3 Color Digital Intermediate Film 5254 / 2254

Subtractive 3 color: Chromogenic monopack

Kodak Vision3 50D Color Negative Film 5203 / 7203

Subtractive 3 color: Chromogenic monopack, daylight, 50 ASA

Kodak Color Asset Protection Film 2332

Subtractive 3 color: Chromogenic monopack

Eastman Color Intermediate Film 2244

Subtractive 3 color: Chromogenic monopack

Kodak EXR Primetime 640T Teleproduction Film 5620 / 7620

Subtractive 3 color: Chromogenic monopack

Kodak SFX 200T Color Negative Film

Subtractive 3 color: Chromogenic monopack, 35 mm

Eastman EXR Color Print Film 2386 / 3386

Subtractive 3 color: Chromogenic monopack

Cinefotocolor

Subtractive 2 color: Bi-pack

Cinecolor additive 2 color / Cinecolour

Additive 2 color: Beam-splitter, substandard

2 Images

Colorsnap, Colorol

Subtractive 3 color: dye imbibition process, still photography
“In 1929 the London firm Colour Snapshots Limited introduced Colorsnap, a printing service based on the dye imbibition process for a tripack roll film called Colorsnap and manufactured by Ilford Ltd. (Monopolies Commission 1966).11 The tripack ...

1 Image

Americolor

Subtractive 2 color: Bi-pack, duplitized

Cinechrome

Additive 2 color: Prism, rotary filter, double-sized film
“[…] pictures were taken side by side, full-size, on double-width film, the film not only being perforated on the edges but also down the centre between the pairs of images.” (Klein, Adrian Bernhard = Cornwell-Clyne (1940): Colour ...

3 Images

Finlay

Additive 3 color: Regular mosaic screen, still photography

9 Images in 1 Gallery

Cibachrome 1963, after 1991 renamed Ilfochrome

Subtractive 3 color: dye destruction process, silver dye-bleach, still photography
“The materials and processes described thus far have been either unsuccessful or short-lived for one reason or another; the trend changed with the launch of Cibachrome in the 1960s. The product and its subsequent forms dominated the silver ...

1 Image

Mondiacolor

Additive 3 color: Mosaic screen

Proposal of a variety of processes of three-color photography

Theory
Description of a variety of color processes, even for images in motion by the use of a rotary shutter.

Hydrotypie / Hydrotype / dye transfer

Subtractive 3 color: Dye transfer, still photography
“In the imbibition process, a dye image is transferred from a gelatin relief image to a receiving layer made either of paper or film. Charles Cros described this method of “hydrotypie” transfer printing in 1880 and suggested it ...

ArchivalColor

Subtractive 4 color: pigment process, still photography
“ArchivalColor and Ultrastable In the early 1980s photographers frustrated by the poor stability of dye coupling materials started to experiment with pigment processes. Among them was Charles Berger, a California-based fine art photographer ...

2 Images

Dunning Color

Subtractive 3 color: Beam-splitter, double-coated

Bocca-Rudatis

Additive 3 color: lenticular screen
The procedure for obtaining the lenticular elements in relief required a series of steps: starting from three black and white positive color separations, obtained with any of the available methods, three matrices were printed, from which the film to ...

1 Image

Dye coupling

Subtractive 3 color: Chromogenic monopack
“One of the most elegant solutions to the problem of forming a colored image, lies in the utilization of the products formed by the action of the developer upon the latent image. By this means there is formed a dye image whose intensity follows ...

1 Image

Jumeaux/Davidson

Additive 3 color: Prism

2 Images

Gasparcolor OR Gaspar Color

Subtractive 3 color: Silver dye-bleach multilayer print film

Gasparcolor was the first three-color multi-layer monopack film available for practical use. It was a double-coated print film with a cyan layer on one side and two layers dyed magenta and yellow on the other side (see illustrations).

398 Images in 24 Galleries

Autotype Wet Carbon

Subtractive 3 color: pigment process, still photography
“Introduced by the Autotype Company in 1944, the Autotype Wet Carbon Process was a variant of the traditional carbon process with novelty wet-printing pigment papers. Considerable time was saved when printing with this material as the pigment ...

Autochrome

Additive 3 color: Mosaic screen, still photography
“The Autochrome process was the first fully practical single-plate colour process to reach the photographic public. It was easy to use. The plate was loaded into a conventional holder, glass to the front. The exposure was made through a yellow ...

16 Images