Eastman Ektachrome Reversal Print Film 7390 (SO-390)

Subtractive 3 color: Chromogenic monopack, 16mm reversal

Eastman Ektachrome Video News Film 7239

Subtractive 3 color: Chromogenic monopack, 16mm

Eastman Ektachrome High Speed Video News Film 7250

Subtractive 3 color: Chromogenic monopack, 16mm, Tungsten, 400 ASA

Eastman Ektachrome VN Print Film 7399

Subtractive 3 color: Chromogenic monopack, 16mm

Eastman Ektachrome Video News Film 7240

Subtractive 3 color: Chromogenic monopack

Eastman Ektachrome Commercial, type 7255

Subtractive 3 color: Chromogenic monopack, 16mm reversal

Kodachrome Color Reversal Film Type 5262

Subtractive 3 color: Chromogenic monopack, reversal, 16 mm
Although Kodachrome 16mm reversal film was introduced as an amateur film format, rapidly after its introduction it became a format frequently used by (semi-)professional film makers. The reason was that Kodachrome was a relatively easy to use film ...

Kodachrome Color Reversal Film 5265

Subtractive 3 color: Chromogenic monopack, reversal, 16 mm
Duplicating stock for reversal film. Replaced Kodachrome duplicating stock type 5262. Contrary to its predecessor the new stock was not suited as camera material. Type 5265 could only be used for duplication.

Kodachrome Professional Film Type 5267

Subtractive 3 color: Chromogenic monopack, reversal, 16 mm 35mm?
Kodachrome Professional was introduced in 1942 to be used as camera material. It was the Kodachrome material that was blown up to 35mm Technicolor dye transfer prints, which was the Technicolor Monopack system. According to Norris Pope this material ...

Kodachrome Commercial Type 5268

Subtractive 3 color: Chromogenic monopack, reversal, 16 mm
In 1946 Kodachrome Commercial camera film Type 5268 was introduced. This stock had a lower-contrast emulsion and became leading in the professional field until it was replaced by Ektachrome Commercial type 7255 in 1958. Both Commercial Kodachrome and ...

Eastman Color Print Film 7282

Subtractive 3 color: Chromogenic monopack, 16 mm

Eastman Ektachrome SM, type 7244

Subtractive 3 color: Chromogenic monopack, reversal, super 8

Eastman Ektachrome, type 5285 / 7285

Subtractive 3 color: Chromogenic monopack, reversal, daylight, 100 ASA

Kodak Vision Color Intermediate Film 5242 / 7242

Subtractive 3 color: Chromogenic monopack

Eastman Ektachrome, type A

Subtractive 3 color: Chromogenic monopack, reversal, super 8, Tungsten, 160 ASA

Kodachrome II

Subtractive 3 color: Chromogenic monopack, reversal, 16 mm, 25 to 40 ASA
Kodachrome II was introduced in 1961. It was the first film stock since 1936 that was specifically meant for amateur use. Eastman Kodak presented the material as superior to the ‘regular Kodachrome’. It supposedly had a higher speed of 25 ...

84 Images in 5 Galleries

Eastman Color Negative, type 3251

Subtractive 3 color: Chromogenic monopack

DuPont Color Film Type 275

Subtractive 3 color: Color release positive stock, multilayer monopack

8 Images in 1 Gallery

Dymat Process

Subtractive 3 color: Dye transfer, Super-8

Magnacolor

Subtractive 2 color: Bi-pack, double-coated
“An American two-colour subtractive process still worked by the Consolidated Film Industries division of Republic Pictures Corporation. This concern was licensed by the owners of the “Prizma” patents, which it will be remembered was ...

23 Images in 2 Galleries

Trucolor 2 color

Subtractive 2 color: Bi-pack, double-coated with dye couplers
“By the 1940s, most of the two-colour subtractive processes, apart from Cinecolor, were obsolete. The widespread use of the high-quality Technicolor process showed up the serious deficiencies in the simpler methods. The only significant new ...

Trucolor 3 color

Subtractive 3 color: Color separation on DuPont Release Positive Film

Columbiacolor

Subtractive 3 color: Chromogenic monopack, Eastman Color

Colorvision

Additive 3 color: Beam-splitter

Colorcraft

Additive 2 color: Bi-pack, double-coated

21 Images in 1 Gallery

Color Cinema Corporation

Subtractive 2 color: Bi-pack, double-coated

2 Images

Supercinecolor / Natural Color

Subtractive 3 color: Color separation, duplitized film, third layer added

Morgana Process

Additive 2 color: Alternating filters, 16 mm

1 Image

Ansco Color negative / positive process

Subtractive 3 color: Chromogenic monopack, negative / positive

30 Images in 2 Galleries

Anscochrome

Subtractive 3 color: Chromogenic monopack, reversal, 16mm

3 Images in 1 Gallery

Ansco Colorpak / Ansco Color, type 735

Subtractive 3 color: Chromogenic monopack, reversal 35 mm, 12 ASA

Anscochrome, type 5240

Subtractive 3 color: Chromogenic monopack, reversal, Tungsten, 100 ASA

1 Image

Anscochrome, type 5210

Subtractive 3 color: Chromogenic monopack, reversal, daylight, 100 ASA

Anscochrome, type 5230

Subtractive 3 color: Chromogenic monopack, reversal, daylight, 200 ASA

Anscochrome, type 5550

Subtractive 3 color: Chromogenic monopack, reversal, daylight, 500 ASA

Anscochrome, type 5311

Subtractive 3 color: Chromogenic monopack, reversal, daylight, 64 ASA

Ansco Color Negative, type 843

Subtractive 3 color: Chromogenic monopack, daylight, 16 ASA

Ansco Color Negative, type 844

Subtractive 3 color: Chromogenic monopack, Tungsten, 16 ASA

Ansco Color Negative, type 845

Subtractive 3 color: Chromogenic monopack

Ansco Color Dupe Negative, type 846

Subtractive 3 color: Chromogenic monopack

Ansco Color Print Film, type 848

Subtractive 3 color: Chromogenic monopack

Ansco Color Reversal Duplicating Film, type 538

Subtractive 3 color: Chromogenic monopack, reversal

Ansco Color Duplicating Film, type 132

Subtractive 3 color: Chromogenic monopack
See Ansco Color, type 735.

Ansco Color Release Film, type 732

Subtractive 3 color: Chromogenic monopack
See Ansco Color, type 735.

Super Anscochrome Tungsten, type 226

Subtractive 3 color: Chromogenic monopack, reversal, 16mm
See Anscochrome and Super Anscochrome Daylight, type 225.

Super Anscochrome Daylight, type 225

Subtractive 3 color: Chromogenic monopack, reversal, 16mm
See Anscochrome and Super Anscochrome Tungsten, type 226.

Ansco One-Strip Color-Separation Film, type 155

Subtractive 3 color: one-strip color separation
See Ansco Colorpak / Ansco Color, type 735, Ansco Color Release Film, type 732 and Ansco Color Duplicating Film, type 132.

Moviechrome

Subtractive 3 color: Chromogenic monopack, reversal, 16 mm

Alfacolour / Alfacolor

Subtractive 2 color: Bi-pack, duplitized film

Agfa bipack films

Subtractive 2 color: Bi-pack
AGFA BIPACK FILM The front film is orthochromatic and sensitive, therefore, to green and blue. The rear film is panchromatic and records red-orange only, there being a red-orange filter on the orthochromatic emulsion. In fact, this is a bipack of the ...

11 Images in 1 Gallery