Ansco Color Negative, type 845

Subtractive 3 color: Chromogenic monopack

Fomacolor

Subtractive 3 color: Chromogenic monopack
A chromogenic process based on Agfacolor, see detail page Agfacolor Neu / Agfacolor.

18 Images

Svema DS-2

Subtractive 3 color: Chromogenic monopack

Ansco Color Dupe Negative, type 846

Subtractive 3 color: Chromogenic monopack

Svema LN-2

Subtractive 3 color: Chromogenic monopack

Ansco Color Print Film, type 848

Subtractive 3 color: Chromogenic monopack

Eastman Reversal Color Print Film Type 5269 / 7387

Subtractive 3 color: Chromogenic monopack, reversal
Eastman Kodak reversal film duplication stock for (semi)professional use. Replaced Type 5265. Type 7387 introduced in 1964 as improved version. Difficult to see the difference (BL).

Ansco Color Reversal Duplicating Film, type 538

Subtractive 3 color: Chromogenic monopack, reversal

Eastman Color Internegative Film 5270 / 7270

Subtractive 3 color: Chromogenic monopack

Eastman Color Intermedeate Film 5253

Subtractive 3 color: Chromogenic monopack

Eastman Panchromatic Separation Film 5235

Black and white panchromatic film: Three-color separation positives from color negatives

Eastman Embossed Kinescope Recording Film

Additive 3 color: Lenticular screen

2 Images

Eastman Television Recording Film 5374 / 7374

Subtractive 3 color: Chromogenic monopack

Agfacolor Negative, type 3 (CN3)

Subtractive 3 color: Chromogenic monopack, universal

Anscochrome

Subtractive 3 color: Chromogenic monopack, reversal, 16mm

3 Images in 1 Gallery

Fujicolor Negative, type 8511

Subtractive 3 color: Chromogenic monopack

Mondiacolor

Additive 3 color: Mosaic screen

Agfacolor Negative, type B 333

Subtractive 3 color: Chromogenic monopack, daylight
For more information on the Agfacolor chromogenic process see Agfacolor Neu / Agfacolor.

11 Images

Agfacolor Negative, type G 334

Subtractive 3 color: Chromogenic monopack, Tungsten

Gevacolor T 6 52

Subtractive 3 color: Chromogenic monopack

Agfacolor Positiv Typ 5

Subtractive 3 color: Chromogenic monopack

1 Image

Technicolor No. V: Dye transfer prints from chromogenic negative

Subtractive 3 color: Dye transfer
With the introduction of the chromogenic Eastmancolor negative/positive process it became possible to shoot with a normal one-strip camera. Three b/w color separations were produced from the Eastmancolor negative and printed by dye transfer on blank ...

2257 Images in 41 Galleries

Ferraniacolor, type 54

Subtractive 3 color: Chromogenic monopack

Eastman Color Internegative Film 5245

Subtractive 3 color: Chromogenic monopack

Eastman Color Print Film 5382 / 7382

Subtractive 3 color: Chromogenic monopack

Ansco Color Negative, type 844

Subtractive 3 color: Chromogenic monopack, Tungsten, 16 ASA

Eastman Color Negative, type 5248

Subtractive 3 color: Chromogenic monopack, Tungsten, 25 ASA

1 Image

Eastman Color Internegative Film 5243

Subtractive 3 color: Chromogenic monopack

Dugromacolor

Additive 3 color: Beam-splitter, substandard

1 Image

Eastman Color Print Film 7282

Subtractive 3 color: Chromogenic monopack, 16 mm

Agfacolor Negative, type 2

Subtractive 3 color: Chromogenic monopack, daylight

Ansco Color Negative, type 843

Subtractive 3 color: Chromogenic monopack, daylight, 16 ASA

Eastman Lenticular Print Film Type 5306

Additive 3 color: Lenticular screen

Agfacolor L

Subtractive 3 color: Chromogenic monopack
L stands for the Leverkusen brand of Agfacolor. N for negative, K for tungsten (Kunstlicht) and T for daylight (Tageslicht).

13 Images in 2 Galleries

Supercinecolor / Natural Color

Subtractive 3 color: Color separation, duplitized film, third layer added

Agfacolor Negative

Subtractive 3 color: Chromogenic monopack, daylight

Eastman Panchromatic Separation Film 5216

Black and white panchromatic film: Three-color separation positives from color negatives

Chromart Simplex

Subtractive 2 color: Chromogenic monopack

Opticolor

Additive 3 color: Lenticular screen

Eastman Color

Subtractive 3 color: Chromogenic monopack
“The Eastman Colour Films are multilayer films of the type in which the layers are not separated after exposure. Films of this class are known as Multilayer, Monopack or Integral Tripack. “Multilayer” is descriptive not only of this ...

707 Images in 23 Galleries

Alfacolour / Alfacolor

Subtractive 2 color: Bi-pack, duplitized film

Eastman Color Negative, type 5247

Subtractive 3 color: Chromogenic monopack, daylight, 16 ASA

Chromart Tricolor

Subtractive 3 color: Chromogenic monopack

Colorvision

Additive 3 color: Beam-splitter

Ansco Color negative / positive process

Subtractive 3 color: Chromogenic monopack, negative / positive

21 Images in 2 Galleries

Eastman Color Print Film 5281 / 7281

Subtractive 3 color: Chromogenic monopack

Eastman Multilayer Stripping Film / Kodak Stripping Film

Subtractive 3 color: Stripping film

Eastman Color Print Film 5381 (1950)

Subtractive 3 color: Chromogenic monopack
Not to be confused with the Eastman Color Print Film 5381 / 7381 from 1970.

DuPont Color Film Type 275

Subtractive 3 color: Color release positive stock, multilayer monopack

4 Images

Ferrania color / Ferraniacolor / 3M color

Subtractive 3 color: Chromogenic monopack

217 Images in 8 Galleries

Fujicolor

Subtractive 3 color: Chromogenic monopack reversal (from 1949), negative/positive process (from 1955)
“The Fujicolor process is a three-color subtractive negative/positive process introduced in 1955 by the Fuji Photo Film Co., Ltd., Tokyo, Japan. When the process was introduced it consisted of two elements that could be used singly or together. ...

140 Images in 7 Galleries

DuPont Stripping Negative

Subtractive 3 color: Stripping film

2 Images

Trucolor 3 color

Subtractive 3 color: Color separation on DuPont Release Positive Film

Rouxcolor 4 color

Additive 4 color: 4 lenses

4 Images in 1 Gallery

Gevacolor Negative

Subtractive 3 color: Chromogenic monopack

4 Images in 1 Gallery

Ansco One-Strip Color-Separation Film, type 155

Subtractive 3 color: one-strip color separation
See Ansco Colorpak / Ansco Color, type 735, Ansco Color Release Film, type 732 and Ansco Color Duplicating Film, type 132.

Gevacolor T 6 51

Subtractive 3 color: Chromogenic monopack

Technichrome

Subtractive 2 color: Dye transfer, 2 color bi-pack, 3 color printing

3 Images in 1 Gallery

Cinefotocolor

Subtractive 2 color: Bi-pack

Pinchart

Additive 3 color: Four lenses, red-green-blue-grey

2 Images

Svema DS-1

Subtractive 3 color: Chromogenic monopack

Americolor

Subtractive 2 color: Bi-pack, duplitized

Thomson Color

Additive 3 color: Lenticular screen

3 Images

Polacolor

Subtractive 3 color: Color separation, multicolor dye images

Trucolor 2 color

Subtractive 2 color: Bi-pack, double-coated with dye couplers
“By the 1940s, most of the two-colour subtractive processes, apart from Cinecolor, were obsolete. The widespread use of the high-quality Technicolor process showed up the serious deficiencies in the simpler methods. The only significant new ...

Ansco Colorpak / Ansco Color, type 735

Subtractive 3 color: Chromogenic monopack, reversal 35 mm, 12 ASA

Kodachrome Commercial Type 5268

Subtractive 3 color: Chromogenic monopack, reversal, 16 mm
In 1946 Kodachrome Commercial camera film Type 5268 was introduced. This stock had a lower-contrast emulsion and became leading in the professional field until it was replaced by Ektachrome Commercial type 7255 in 1958. Both Commercial Kodachrome and ...

Konicolor

Subtractive 3 color

“The Konicolor system, introduced by Konishiroku Shashin Kogyo (Now Konica Minolta Holdings, Inc.), split the image into three colors and shot them separately onto three b&w films. In that sense it had something in common with the US ‘Technicolor system’, but this was not a contact print with color dye to create positive film, but used coated emulsion to develop each color in a triple process, which is peculiar. […].”

Ansco Color Duplicating Film, type 132

Subtractive 3 color: Chromogenic monopack
See Ansco Color, type 735.

Ansco Color Release Film, type 732

Subtractive 3 color: Chromogenic monopack
See Ansco Color, type 735.

Sakuracolor

Subtractive 3 color: Chromogenic monopack, reversal

British Tricolour / Dufaychrome

Subtractive 3 color: Beam-splitter, three-strip, multiple printing

19 Images in 3 Galleries

Svema LN-1

Subtractive 3 color: Chromogenic monopack

Sovcolor negative type G

Subtractive 3 color: Chromogenic monopack, Tungsten

Sovcolor negative film type B

Subtractive 3 color: Chromogenic monopack, daylight

15 Images in 3 Galleries

2 Images

Kodachrome Professional Film Type 5267

Subtractive 3 color: Chromogenic monopack, reversal, 16 mm 35mm?
Kodachrome Professional was introduced in 1942 to be used as camera material. It was the Kodachrome material that was blown up to 35mm Technicolor dye transfer prints, which was the Technicolor Monopack system. According to Norris Pope this material ...

Fullcolor

Subtractive 2 colors: Bi-pack, duplitized film

Gaspar Color subtractive 2 color

Subtractive 2 color: Silver dye-bleach

Agfacolor Negative type B2

Subtractive 3 color: Chromogenic monopack, daylight
For more information on the Agfacolor chromogenic process see Agfacolor Neu / Agfacolor.

37 Images in 2 Galleries

Agfacolor Negative type G2

Subtractive 3 color: Chromogenic monopack, Tungsten

Iriscolor

Subtractive 3 color: Beam-splitter camera, imbibition printing
Similar to Technicolor, the Iriscolor process needed a special beam-splitter camera for exposing three black-and-white negatives on Kodak film stock. These negatives were used for imbibition printing. Between 1940 and 1942, Tobis Tonbild-Syndikat AG ...

Kodachrome Color Reversal Film 5265

Subtractive 3 color: Chromogenic monopack, reversal, 16 mm
Duplicating stock for reversal film. Replaced Kodachrome duplicating stock type 5262. Contrary to its predecessor the new stock was not suited as camera material. Type 5265 could only be used for duplication.

Technicolor Monopack / Kodachrome Professional Type 5267 / Eastman Monopack 7267

Subtractive 3 color: Chromogenic monopack
During the 1940s Kodachrome was used as camera material for films that were blown up to 35mm Technicolor projection prints. Technicolor used this technology from 1942 until the mid-1950s when Eastman Kodak introduced the Eastmancolor ...

Agfacolor Negative type B

Subtractive 3 color: Chromogenic monopack, daylight
For more information on the Agfacolor process see the detail page Agfacolor Neu / Agfacolor.

21 Images

Agfacolor Negative type G

Subtractive 3 color: Chromogenic monopack, Tungsten

Agfacolor Negative type G was a chromogenic camera negative balanced for Tungsten illumination.

14 Images in 2 Galleries

Kodachrome Color Reversal Film Type 5262

Subtractive 3 color: Chromogenic monopack, reversal, 16 mm
Although Kodachrome 16mm reversal film was introduced as an amateur film format, rapidly after its introduction it became a format frequently used by (semi-)professional film makers. The reason was that Kodachrome was a relatively easy to use film ...

Pantachrom

Subtractive 3 color: Bi-pack and lenticular film recording, duplitized film with toning and silver dye-bleach
“In October, Eggert of the Agfa Research Department, read a paper at the Berlin meeting of the Deutsche Gesellschaft für photographische Forschung, on the Pantochrom subtractive lenticular bipack tricolor process. (Fig. 1) The green and blue ...

17 Images in 3 Galleries

Telco color subtractive 2 color

Subtractive 2 color: Split optics, side by side, duplitized film

1 Image

Dufaycolor reversal

Additive 3 color: Line screen (réseau), 16 mm, reversal
(see detail page on Dufaycolor)

Dunning Color

Subtractive 3 color: Beam-splitter, double-coated

Agfacolor Neu / Agfacolor

Subtractive 3 color: Chromogenic monopack, reversal (from 1936), negative/positive process (from 1939)
“The New Agfacolor Process; Agfa Ansco Corp., Binghamton, N. Y. A survey of the history of monopack or multilayer photographic color processes is given, including the coloring methods of greatest importance at the present time. These are: (a) ...

624 Images in 21 Galleries

Hirlicolor

Subtractive 2 color: Bi-pack

2 Images

Russian three-color process

Subtractive three color

6 Images

Berthon-Siemens / Siemens-Berthon / Siemens-Perutz-Verfahren / Opticolor

Additive 3 color: Lenticular screen

5 Images

Telco Color, additive 2 color

Additive 2 color: Split optics, side by side

Kodachrome

Subtractive 3 color: Chromogenic monopack, reversal, 8 and 16 mm

“In 1930 Mannes and Godowsky were invited to join the staff of the Kodak Research Laboratory, where they concentrated on methods of processing multilayer films, while their colleagues worked out ways of manufacturing them. The result was the new Kodachrome film, launched in 1935. Three very thin emulsion layers were coated on film base, the emulsions being sensitised with non-wandering dyes to red, green and blue light, the red-sensitive layer being at the bottom.” (Coe, Brian (1978): Colour Photography. The First Hundred Years 1840-1940. London: Ash & Grant, pp. 121 ff.)

44 Images in 4 Galleries

Cosmocolor

Additive 2 color: Beam-splitter, double-coated

2 Images

Dascolour

Subtractive 2 color: Bi-pack, double-coated print

1 Image

Francita-Reality / Francita / Opticolor / Realita

Additive 3 color: Beam-splitter and rotary fllter, substandard

9 Images in 1 Gallery